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THE ACID QUEEN

THE PSYCHEDELIC LIFE AND COUNTERCULTURE REBELLION OF ROSEMARY WOODRUFF LEARY

A well-wrought narrative that brings deserved attention to a lost figure in the counterculture.

The sometimes blissed-out, always turbulent life of Timothy Leary’s third wife.

Rosemary Woodruff was a Midwesterner who, in the early 1960s, came to New York looking for adventure, working as a flight attendant and model and exploring the wonders of then-legal LSD and then-illegal marijuana. She met Timothy Leary and accepted his invitation to hang out at Millbrook, his psychedelic research commune. The rest is tangled history, as journalist Cahalan relates: Marrying Leary, she became a helpmeet and surrogate mother to a host of acid-stunned hipsters. Often undervalued—writes Cahalan, one eyewitness remarked, “As beautiful as she was, she wasn’t the brightest star in the sky”—she receded into the background and, as Cahalan notes, “served as a footnote, an afterthought” in the Leary mythology. Nevertheless, Woodruff was busted along with her husband by none other than G. Gordon Liddy of Watergate infamy, was busted again, and hard, in Texas and California, helped Leary escape from prison, fled with him to Algeria, and went underground for years, even as Leary, from whom she separated, made deals that got him out of jail and put him on the road, late in his career, to wealth and pop culture fame. Woodruff may have been a footnote, but she was self-aware of her role as a kind of lysergic sorcerer’s apprentice; among papers Cahalan discovered after Woodruff’s death in 2002 was a note reading, “The eyes of the audience must be on the assistant when the magician’s hands are distorting reality.” Cahalan’s swift-moving biography is admiring but not uncritical, with an admonitory takeaway about both psychedelic drugs and the outlaw life: “If you are to engage with these substances, you must respect them enough to prepare yourself for both the light and the shadow.”

A well-wrought narrative that brings deserved attention to a lost figure in the counterculture.

Pub Date: April 22, 2025

ISBN: 9780593490051

Page Count: 352

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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