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THE PORTRAITIST

A NOVEL OF ADÉLAÏDE LABILLE-GUIARD

An imaginative work that brings the story of a little-known artist to vivid life.

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Dunlap offers a historical novel loosely based on the life of French miniaturist painter Adélaïde Labille-Guiard, who forged a career even though the odds were against her.

This sweeping saga tells a story of a real-life 18th-century woman as she pursues her art against the backdrop of the French Revolution. Labille-Guiard was one of the first women to become a member of the Académie Royale and the first to set up a studio at the Louvre. Dunlap presents this trailblazer’s story, filling in historical gaps with fictionalized elements. The novel opens as Labille-Guiard makes the decision to leave her abusive husband and pursue painting—a career that always interested her but, because of sexist restrictions, eluded her. A shrewd businesswoman, she first paints anonymous erotic works that sell well and allow her to open her studio, and her career as a mainstream artist starts to take off. At the same time, a rival female artist, Elizabeth Vigée Le Brun, has caught the attention of the queen, Marie Antoinette, while general upheaval brews across the country. Dunlap’s expansive novel will have readers constantly guessing as to what’s true and what isn’t. Fortunately, the author does a fine job of clearing this up in an epilogue; for instance, she notes that there’s no proof that the artist created erotic works, but points out that they were a common way for artists of the era to survive. (Indeed, the minimal surviving information about Labille-Guiard allows for a great deal of creative license.) Still, the author manages to generate great tension, showing her subject to be stuck in the middle of the revolution, both literally and spiritually: “Adélaïde was caught between the structure of patronage that supported her career and her desire to embrace radical change.” In the end, the novel can be enjoyed as an intriguing gloss on history, but also as a sweet love story between her and her second husband, painter François-André Vincent, as well as a behind-the-scenes look at the intrigue of the era’s art world.

An imaginative work that brings the story of a little-known artist to vivid life.

Pub Date: Aug. 30, 2022

ISBN: 978-1-64742-097-0

Page Count: 296

Publisher: She Writes Press

Review Posted Online: May 12, 2022

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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