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MY JUDY GARLAND LIFE

A MEMOIR

Even die-hard Garland fans may wish Boyt’s ardor had limits.

Fashion columnist/novelist Boyt (Only Human, 2004, etc.) obsesses over a life obsessed with Judy Garland.

“[Judy] was my life in purest form,” writes the author, “encapsulating and refining all the things that interested me most.” Like Garland, Boyt had a traumatic start. She was born into a broken home and was often overweight and overwrought. She also liked to sing and, as she flirted with a performing career, longed for the stage mother she didn’t have. (Garland’s daughter Lorna Luft later suggested to the author that children should not be robbed of childhood.) Like millions of others, Boyt was transfixed by an early screening of The Wizard of Oz, identifying intensely with the film’s star. Her memoir tends to circle in adulatory generalizations about Garland, occasionally getting specific to make somewhat tenuous connections between the two lives. Garland’s “flicker of lip and eye” in a frame from Meet Me in St. Louis launches the author’s recollections of her own Christmases. A telling essay about Garland’s schooling between takes at Metro leads to Boyt’s ruminations about emotional and physical hunger. Boyt’s insight into Garland’s work is mostly uneven, but she scores with an analysis of the failure of Garland’s TV series in the mid-’60s. The author posits that the devastation wrought by the cancellation contributed to the singer’s demise. Along the way, Boyt offers sharp but too-brief profiles of Garland’s fans and co-workers, including cabaret performer Mary Cleere Haran, who comes off as rather testy, and a quickly glimpsed Mickey Rooney, who appears grumpy and enigmatic. Boyt’s anxieties prior to an interview with Liza Minnelli may exhaust reader patience, but the interview itself, however sketchy, rewards with its quick, telling details. The author’s parting observation—“I have navigated my life under her [Garland’s] star”—comes as no surprise.

Even die-hard Garland fans may wish Boyt’s ardor had limits.

Pub Date: May 1, 2009

ISBN: 978-1-59691-666-1

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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