“The in-between world is the one place where the dead and the living come together,” and Skeletina is the mistress of that universe.
As the friendly, playful skeleton provides a tour of this space, which evokes the vibrant images of el Día de los Muertos, she explains that the living come here when they dream and describes several of its residents. Fludz, a smiling blue ocean wave, for example, helps children overcome their fear of water. Skeletina serves as a guide through dreams, helping with anxieties and warding off nightmares. Jaramillo’s artwork is captivating, with details, bold colors, and intricate use of delicate grays and blacks that result in an ethereal look. The endpapers preview inhabitants of the in-between world; however, confusingly, not all of them appear in the book, and some who are featured in the book are not included there. The story reads like wisdom from ghosts (“This is a strange place indeed, but always remember you get to decide what happens next!”) but also contains suggestions for pacifying spirits and taking control of dreams. While all of the pieces are connected, there isn’t a tight hold on the various threads. Most characters are nonhuman, though their world is infused with references to Latinx folklore; human characters are racially diverse. (This book was reviewed digitally.)
Unique characters and rich illustrations anchor a multifaceted but scattered story.
(Picture book. 4-6)