by Susie Linfield ‧ RELEASE DATE: March 26, 2019
A significant contribution to contemporary political discourse.
An astute study of how the political cauldron of the Middle East has generated fierce responses from the left.
Linfield (Journalism/New York Univ.; The Cruel Radiance: Photography and Political Violence, 2010) offers a trenchant analysis of the seemingly intractable Palestinian-Israeli conflict through an examination of eight prominent left-wing intellectuals: Hannah Arendt, Arthur Koestler, Maxime Rodinson, Isaac Deutscher, Albert Memmi, Fred Halliday, I.F. Stone, and Noam Chomsky. Each professed strong views on Zionism, which Linfield defines as “support for a democratic state for the Jewish people.” In a series of linked, deftly delineated portraits, the author reveals fraught debate marked by both “fearless intellectual energy” and, too often, the dismaying imposition of “fantasy, symbol, metaphor, and theory overtaking reality and history.” Many of her subjects, like Arendt, held an “ideological antipathy to sovereignty” that made them critical of Zionism. Some, like the combative Koestler, a self-loathing Jew, “insisted that there was no Jewish history and culture” to merit statehood for “a chosen people.” Rodinson, a French scholar of Islam, believed that Palestinians, as victims of colonial oppression, were justified in their one unifying stance: hostility to Israel. That stance was echoed by Chomsky, whose hatred for Israel and championing of Palestine Linfield criticizes as arrogant and ignorant, based on “manufactured history” and “staggering” misrepresentations. In contrast, she praises Memmi and Halliday for their principled, humane analyses. Memmi saw Zionism as “the national liberation movement of an oppressed people,” worthy of support by the left. Halliday, an activist, journalist, multilinguist, and scholar, condemned the “profound mistakes” and crimes committed by both Zionist and Palestinian movements. Both Memmi and Halliday concurred that support for terrorism was indefensible: “a short circuit that substitutes immediate fear and panicky responses for long-term solutions.” Like Linfield, Halliday advocated the establishment of two democratic states of Israel and Palestine. Besides presenting an unusually clear and informed history of the Arab-Israeli struggle, the author throws a glaring light on the perils of fanaticism and insularity.
A significant contribution to contemporary political discourse.Pub Date: March 26, 2019
ISBN: 978-0-300-22298-2
Page Count: 400
Publisher: Yale Univ.
Review Posted Online: Jan. 5, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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PROFILES
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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