If mother-daughter relationships are socially rather than psychologically or biologically constructed, then the sources of the common paradigms of bonding/separation, love/hate, enmeshment/autonomy are to be found, according to Walters (Sociology, Georgetown Univ.), in films, TV shows, and magazines. ``Mother-bashing,'' Walters says, has dominated these media since the end of WW II, with daughters growing up through rebellion or self-destruction—encouraged, ironically, by the women's movement that blamed ``mom'' for being neglectful and not nurturing, as well as for being a victim, the symbol of what modern women should hold in contempt. The mother-daughter relationship itself, Walters notes, was overshadowed in the 80's by mother-son syndromes, reappearing in the ``backlash eighties'' as an inevitable and natural conflict. Because men are threatened by the mother-daughter relationship, their patriarchal psychology—Freud and his heirs—encourages this plot based on reflection, opposition, and conflict. Walters believes that the actual mother- daughter relationship is far more complex than popular culture has depicted it, and that, ideally, it is a nurturing relationship based on mutuality, reciprocity, and humor—as in the TV sitcom Maude. Through her comprehensive—if repetitious and excessively analytical—study, Walters raises seminal questions about the relationship between art and life. But what she fails to see is that popular culture reflects what writers and producers experience, or believe most people experience, and what sponsors will pay for—i.e., an often biased and commercial truth, as the section on the ``reality'' of black women illustrates. (Photographs—not seen.)
Pub Date: Oct. 1, 1992
ISBN: 0-520-07851-9
Page Count: 295
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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