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DANGEROUS SKIES

Stubborn naãvetÇ destroys a close interracial friendship in this long, turgid story from the author of Haveli (1993), set on Virginia's Eastern Shore. After finding the floating body of a migrant worker, Buck, 12, is horrified when his best friend, Tunes, becomes a suspect. Sure that the real killer is prosperous, respected Jumbo Rawlins, ``six foot seven, every inch lean, mean, and ill-intentioned,'' Buck urges Tunes to tell her side of the story. Instead, Tunes disappears. When Buck tracks her down, he's horrified to learn from her that Rawlins has been abusing her physically and sexually. Tunes tries to tell him that a black girl's word won't carry much weight against that of a white adult, but Buck is so convinced that justice will out that he persuades her to come out of hiding. As predicted, she's arrested and tried while Rawlins remains untouched; though not convicted, Tunes moves away and drops out of Buck's life forever. In matching smart, resourceful, opaque Tunes to innocent and blindly loyal Buck, Staples creates a telling contrast, but her penchant for explaining characters, relationships, and situations rather than showing them, plus a plot that wanders like the setting's swampy waterways, slows the pace; ambiguities in Tunes's story, plus Buck's disillusioned, now-it's-five-years-later-and- life-goes-on finish, are puzzling. (Fiction. 11-13)

Pub Date: Sept. 24, 1996

ISBN: 0-374-31694-5

Page Count: 232

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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SWALLOWING STONES

The best day of Michael Mackenzie's life becomes the worst when the bullet he exuberantly fires into the air during his 17th birthday party comes down a mile away and kills a man. When he hears the story on the radio, the news hits him like a lightning bolt. Numbly following the advice of his best friend, Joe, he buries the rifle and tries, without much success, to get on with life. So does the victim's 15-year-old daughter, Jenna, who had been present when the bullet struck. Switching between Michael's point-of-view and Jenna's, McDonald (Comfort Creek, 1996) sends the two teenagers dancing slowly toward each other, using mutual acquaintances, chance meetings at parties and the community pool, and glimpses at a distance. Both go through parallel phases of denial, both are tortured by remorse, exhibit behavior changes, and experience strange dreams; both eventually find ways to ease their grief and guilt. When the police close in, Joe takes the blame, giving Michael the nerve to confess. In the final chapter, McDonald shifts to present tense and brings Michael and Jenna to a cathartic meeting under a huge sycamore said in local Lenape legend to be a place of healing—an elaborate and, considering the suburban setting and familiar contemporary characters, awkward graft in this deliberately paced but deeply felt drama. (Fiction. 11-13)

Pub Date: Oct. 1, 1997

ISBN: 0-385-32309-3

Page Count: 245

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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IF YOU COME SOFTLY

Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books.

In a meditative interracial love story with a wrenching climactic twist, Woodson (The House You Pass on the Way, 1997, etc.) offers an appealing pair of teenagers and plenty of intellectual grist, before ending her story with a senseless act of violence.

Jeremiah and Elisha bond from the moment they collide in the hall of their Manhattan prep school: He’s the only child of celebrity parents; she’s the youngest by ten years in a large family. Not only sharply sensitive to the reactions of those around them, Ellie and Miah also discover depths and complexities in their own intense feelings that connect clearly to their experiences, their social environment, and their own characters. In quiet conversations and encounters, Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. Suddenly Miah, forgetting his father’s warning never to be seen running in a white neighborhood, exuberantly dashes into a park and is shot down by police. The parting thought that, willy-nilly, time moves on will be a colder comfort for stunned readers than it evidently is for Ellie.

Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books. (Fiction. 11-13)

Pub Date: Sept. 1, 1998

ISBN: 0-399-23112-9

Page Count: 181

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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