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MANUEL PUIG AND THE SPIDER WOMAN

HIS LIFE AND FICTION

Invaluable not only for aficionados of contemporary Latin writing but also for scholars tracking film’s impact on serious...

An affectionately explicit biography of genre-bending Argentinean novelist Puig (1932–90), written by a translator and friend.

Levine (Spanish and Portuguese/Univ. of California) begins by reconstructing the small-town Argentinean world whose stifling boredom drove Puig’s mother Malé almost nightly to the movies with her precocious son. Romances and musicals provided the effeminate Puig with a dreamy exile from the machismo and homophobia that surrounded him on all sides in the outside world. His distaste for life in Péronist Argentina was reflected in his rocky rejection of his father Baldo. Levine’s candid use of Puig’s alternately discreet and graphic letters and conversation helps to describe the process by which Puig first became conscious of his homosexuality and eventually concluded that it was an unalterable part of himself. Handsome, volatile, and penny-pinching, Puig maintained a strict discipline in regard to his writing, which he practiced every day whether he was at home or on one of his increasingly frequent journeys abroad (usually in the company of his beloved mother). Levine demonstrates how such works as Puig’s autobiographical Betrayed by Rita Hayworth (1971) and his prison-cell melodrama Kiss of the Spider Woman (1979) recycle “the debris of mass culture”—newspaper soap serials, detective stories, B-movie plots, etc. In Puig’s world, characters never integrate emotion and sex into sustained adult relationships—much in the same way that Puig, fearful of aging without “a husband” despite international homage, never quite grappled with his own uneasy truths before his early (and somewhat suspicious) death from complications that arose after gallbladder surgery. Levine (The Subversive Scribe, 1991), who collaborated with Puig on English versions of his novels, canvassed film archives, interviewed surviving friends, and combed through Puig’s abundant unpublished writings to construct a somewhat disheveled life-story befitting Puig’s motley existence.

Invaluable not only for aficionados of contemporary Latin writing but also for scholars tracking film’s impact on serious revisionary literature. (b&w photos, not seen)

Pub Date: May 1, 2000

ISBN: 0-374-28190-4

Page Count: 480

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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