by Suzanne Mattaboni ‧ RELEASE DATE: March 25, 2022
An enjoyable, starry-eyed coming-of-age tale.
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In Mattaboni’s 1980s-set debut novel, an aspiring artist and her friends immerse themselves in the lifestyle of a funky resort town.
It’s 1984, and 20-year-old Jessica Addentro dreams of studying art in London. However, for this summer, she’ll have to settle for waitressing in New Hope, Pennsylvania, an artsy village on the Delaware River. She’s hoping to save up enough to spend her junior year in London, making multimedia art inspired by the city’s punk scene: “I want to recreate that shoulder-padded, safety-pinned, gelled-together world, through abstract shapes, swipes of color, and vivid bits of broken glass, and make it twice as beautiful on canvas. That’s not too much to ask, is it?” As she saves her pennies, she lives with three of her closest college friends from the University of Pittsburgh—plus a pet duck—in an area that proves to be full of countercultural types, including Matt “Whit” Whitlan, a bass player for a New Wave band whom she meets at a show in Philadelphia. Jess isn’t looking for a boyfriend—she and her college beau, Drew, are only “semi-dating” until she gets back to campus—but she’s about to have the kind of summer where nothing is off the table. Mattaboni’s prose is rich with sharp dialogue, musical references, and painterly details: “I’m a half-formed mosaic, dancing around in a world full of indecision and New Wave anarchy and the mystery terror of AIDS,” says Jess at one point. That said, the author has a habit of beating the reader over the head with the ’80s-ness of the setting, and the narrator seems a bit too self-aware at times for someone who’s barely out of her teens. Still, the author has a talent for enlivening even minor characters with memorable personalities, and she manages to capture the very real magic of small bohemian towns. Overall, it’s as much a nostalgia trip as it is a bildungsroman, but the reader won’t have to have personally lived through the ’80s to appreciate this ebullient and engaging story of youthful longing and independence.
An enjoyable, starry-eyed coming-of-age tale.Pub Date: March 25, 2022
ISBN: N/A
Page Count: 347
Publisher: TouchPoint Press
Review Posted Online: April 8, 2022
Kirkus Reviews Issue: June 1, 2022
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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