A fresh, modern story about learning to be honest.
When a woman accidentally sends overly honest emails to the people she cares for most, chaos ensues.
Putting it bluntly, Sara Chae is exhausted. Though she’s overworked and undervalued at her job, she knows she can bring something new and exciting to the tech world. If only her sexist bosses would listen to her pitch for One Last Word, an app that will send out your final messages to the most important people in your life after you die. When Sara doesn’t get the support she’s hoping for, she decides to take her idea elsewhere, working on the finishing details for One Last Word from her cramped living space in her sister’s walk-in closet. One drunken night, she drafts her own messages to the people she hasn’t been fully honest with—her parents, her estranged best friend, her biggest crush from high school—and is horrified when the app accidentally sends them out. Now, she has to deal with the fallout that comes from finally speaking the truth to the people who have mattered most throughout her life. The timing couldn’t be worse; she’s also been accepted into a venture capital mentorship program, and that aforementioned high school crush, Harry Shim, is now the VC bigwig assigned to be her mentor. Not only does Sara have to fine-tune her app to get the necessary funding, but she also has to navigate around Harry, since they’re supposed to be working together, not rekindling old feelings. Park has always been good at telling stories about women who find themselves at a nadir in their professional lives, and Sara’s struggles in her industry are deeply relatable. Although the book’s romantic dilemma could have used a more thorough resolution, there are plenty of laughs as we follow Sara’s journey toward achieving her biggest career goals.
A fresh, modern story about learning to be honest.Pub Date: April 16, 2024
ISBN: 9780063216099
Page Count: 288
Publisher: Avon/HarperCollins
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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