Overlong and woodenly earnest, without the leavening wit of Rindell’s The Other Typist (2013), the novel does cohere in its...
Harry Yamada and Louis Thorn work together as stunt pilots—close but competitive friends—until World War II upends their lives.
In 1943, an FBI agent named Bonner arrives in Newcastle, California. He's investigating Harry Yamada and his father, Kenichi, who've recently escaped from an internment camp for Japanese-Americans, and wants to know if they've returned to the farm they signed over at the war’s outbreak to their neighbor Louis Thorn, at the time Harry’s flying partner and now a flight instructor for the Air Corps. As Bonner questions 23-year-old Louis on his front porch, the two men are shocked to watch a plane fall out of the sky in a fiery crash. Inside are two bodies, one identifiable as Kenichi, the other charred beyond recognition but assumed to be Harry. Not long afterward, Ava Brooks, who has supposedly been helping Louis care for the Yamadas' orchard, turns up at the house. Soon the novel is moving back and forth in time, interspersing Bonner’s investigation of the crash with the evolving prewar love triangle of Louis, Harry, and Ada—who met in 1940 when the two young pilots joined Ada’s con-artist stepfather’s barnstorming troupe—as well as with the history of the multigenerational feud between the Yamadas, portrayed as upstanding, almost saintly immigrants, and the struggling, less sympathetic Thorns. Bonner’s growing obsession with the case and the mysterious sexual attention he enjoys from the young landlady of a Newcastle boardinghouse are two of the contrived threads with which Rindell (Three-Martini Lunch, 2016, etc.) eventually ties up the flimsy plot. While the Yamadas’ unfair treatment clearly alludes to today’s immigrant experience, what is more developed is the character study of Louis Thorn, who faces conflicted loyalties and complex moral choices.
Overlong and woodenly earnest, without the leavening wit of Rindell’s The Other Typist (2013), the novel does cohere in its attempt to plumb the complexities of love and hate.Pub Date: July 3, 2018
ISBN: 978-0-399-18429-1
Page Count: 448
Publisher: Putnam
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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