A handsomely packaged look back at an epochal achievement.
A free-verse ode to the Apollo program, still the high-water mark of this country’s space program.
Like Catherine Thimmesh’s Team Moon (2006), this album is offered in tribute to the massive, collective eight-year effort to send explorers to our closest celestial neighbor and then bring them back. Slade intersperses resumes for the members of each Apollo crew up to Apollo 11 with extended poetic flights that include significant technical details along with dramatic passages: “Explosive fire. Deafening noise. / The rocket blasts off / above an inferno of white-hot flames.” A prose coda offers nods to the major corporations that developed and built the Saturn V rocket and the spacecraft it carried, then an account of the Apollo 11 astronauts’ triumphant reception back on Earth. Gonzalez’s big, kaleidoscopic montages and page-filling close-ups of tense faces likewise highlight the drama and are so realistic as to be sometimes difficult to distinguish from the photos with which they are mixed. One glimpse of brown hands using a slide rule and an African-American woman (unidentified but probably Katherine Johnson) in another montage are the only indications here that the space program wasn’t an all-white enterprise. Still, it makes a grand—if, so many years later, nostalgic—tale about a magnificent effort.
A handsomely packaged look back at an epochal achievement. (author’s note, illustrator’s note, bibliography, sources, index) (Nonfiction/poetry. 10-13)Pub Date: Sept. 1, 2018
ISBN: 978-1-68263-013-6
Page Count: 144
Publisher: Peachtree
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This glossy, colorful title in the “I Want To Be” series has visual appeal but poor organization and a fuzzy focus, which limits its usefulness. Each double-paged layout introduces a new topic with six to eight full-color photographs and a single column of text. Topics include types of environmentalists, eco-issues, waste renewal, education, High School of Environmental Studies, environmental vocabulary, history of environmentalism, famous environmentalists, and the return of the eagle. Often the photographs have little to do with the text or are marginal to the topic. For example, a typical layout called “Some Alternative Solutions” has five snapshots superimposed on a double-page photograph of a California wind farm. The text discusses ways to develop alternative forms of energy and “encourage environmentally friendly lifestyles.” Photos include “a healer who treats a patient with alternative therapy using sound and massage,” and “the Castle,” a house built of “used tires and aluminum cans.” Elsewhere, “Did You Know . . . ” shows a dramatic photo of Australia’s Great Barrier Reef, but the text provides odd facts such as “ . . . that in Saudi Arabia there are solar-powered pay phones in the desert?” Some sections seem stuck in, a two-page piece on the effects of “El Niño” or 50 postage-stamp–sized photos of endangered species. The author concludes with places to write for more information and a list of photo credits. Pretty, but little here to warrant purchase. (Nonfiction. 9-11)
Pub Date: Aug. 1, 2000
ISBN: 0-15-201862-X
Page Count: 48
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
BOOK REVIEW
BOOK REVIEW
In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)
Pub Date: March 1, 2001
ISBN: 0-7613-1553-5
Page Count: 80
Publisher: Twenty-First Century/Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
