by Suzanne Slade ; illustrated by Nicole Tadgell ‧ RELEASE DATE: Sept. 9, 2014
This biographical gem places the spotlight on a friendship far ahead of its time.
Two important historical figures from separate worlds come together for the common purpose of freedom.
From the first line of this work of creative nonfiction, the author makes clear the contrasts between Frederick Douglass and Susan B. Anthony: The cabin in which the slave, Frederick, was born had clay floors; the two-story house in which Susan was born had floors of polished wood. Despite differences in race, class and upbringing, Douglass and Anthony determined to be friends despite the taboos against cross-racial friendships. Both Slade’s text and Tadgell’s watercolor illustrations emphasize the passion each had for social justice as well as the lengths to which they both went to maintain their friendship. Often, characters in the background peer at them, looking disgusted or scandalized. In one illustration, enemies throw rotten eggs at them; Douglass’ angry expression and Anthony’s upraised fist speak to their determination to make their friendship an example of how America should be. The backmatter, which includes a photograph of bronze sculptures in Rochester, New York, of Douglass and Anthony having tea together, also offers useful information from the author in which she delineates the facts versus the fiction in the story.
This biographical gem places the spotlight on a friendship far ahead of its time. (Picture book/biography. 6-10)Pub Date: Sept. 9, 2014
ISBN: 978-1-58089-568-2
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: April 1, 2015
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Chris Barton ; illustrated by Chaaya Prabhat
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by Willie Nelson & Bobbie Nelson with Chris Barton ; illustrated by Kyung Eun Han
by Shana Corey ; illustrated by Red Nose Studio ‧ RELEASE DATE: March 8, 2016
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Shana Corey and illustrated by Will Terry
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by Shana Corey and illustrated by Edwin Fotheringham
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