by Suzanne Slade ; illustrated by Don Tate ‧ RELEASE DATE: Nov. 10, 2020
From beginning to end, fans will feel connected to the dynamic style of the Globetrotters and how they influenced American...
Five serious African American basketball players with no opportunity to play in the top teams due to the racism of the 1920s took their basketball skills on the road, calling themselves the Harlem Globe Trotters (they became the Globetrotters sometime in the ’30s). White America had a hard time coping with the Trotters’ beating their teams—until the Trotters changed the way they played. They turned their games into theatrics, emphasizing slapstick and hilarity while at the same time honing their skills till “they played the most breathtaking, groundbreaking ball the country had ever seen.” In 1948, Globetrotters finally got an opportunity to challenge the Minnesota Lakers, the best team in the Whites-only NBA. The Globetrotters’ win caused the entire NBA to reconsider their recruitment policy. Slade has done careful, thorough research, easily engaging young readers as they learn about the Globetrotters’ groundbreaking history. Veteran illustrator Tate creates constant movement, visually underscoring the title with dynamic (sometimes impossible) perspectives and basketballs caught in stop-motion fashion as they fly across the court. Robust backmatter bolsters the account, including a detailed timeline that’s thoughtfully printed on the inside pages of the endpapers so that pasted-down jacket flaps will not obscure any of it.
From beginning to end, fans will feel connected to the dynamic style of the Globetrotters and how they influenced American history. (further information, artist’s note, selected sources, photos) (Informational picture book. 4-8)Pub Date: Nov. 10, 2020
ISBN: 978-0-316-48167-0
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Lesa Cline-Ransome ; illustrated by James E. Ransome ‧ RELEASE DATE: Nov. 7, 2017
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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