An intensely dark teen romance set within a tale of communal identity crisis.
Tatum will risk everything for the sake of Weston’s memories.
Now, in this fifth series installment, the unexplained teen suicide epidemic has abated, and the Program to erase memories has been shuttered. The former patients, called returners, are being reintroduced to their normal lives and to high school with whatever remains of their recall. Tatum is heartbroken that her boyfriend, Weston, doesn’t remember her or the love they shared before he was taken into the Program. He is desperate to remember his life, so Weston and Tatum, both white, decide to try an experimental procedure called the Adjustment. This will implant Tatum’s recollections into Weston’s brain patterns, which will, they hope, cause his own memories to grow. As a few reminiscences return to Weston, the trade-off seems high, as Tatum starts to have excruciating headaches, for which her grandmother gives her questionable treatment. Tatum’s impassioned present-tense narration, especially during the implantation sessions, gives urgency to the story and to the details of the relationship she shared with Weston. Like the others of the series, this is a well-crafted page-turner that manifests surprise at every turn. Via the concepts of free will and memory manipulation, the storyline fancifully explores existential identity, with a bit of a paranoid edge. The fiction is further layered with the dubious appeal of romantic destiny.
An intensely dark teen romance set within a tale of communal identity crisis. (Dystopian romance. 14-18)Pub Date: April 18, 2017
ISBN: 978-1-4814-7132-9
Page Count: 416
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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