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BITTERROOT

A gripping and emotionally intelligent tale of resentment and loss.

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In Vitello’s novel, a young widow grapples with an attack on her family.

The small former mining town of Steeplejack rests at the foot of Idaho’s Bitterroot Mountains. It’s there that Hazel Zapf was raised, and where she returns after some years away to marry her high school sweetheart, Ethan Mackenzie, and work as a forensic artist. “I draw dead and maimed bodies for a living,” Hazel puts it simply. Of Japanese descent on her mother’s side, Hazel likens the work to the tradition of Kusôzu, “the practice of capturing the beauty of a posthumous body’s organic decomposition. It serves as a meditation on impermanence and transcendence.” When, a few years into their marriage, Ethan is killed in a car accident, Hazel’s first impulse is to draw his body, there in the morgue, as a way of processing the loss. Soon after Ethan’s death, Hazel finds herself playing landlord to Corinda Blair, the surrogate mother of her gay twin brother’s baby, a woman she has despised since high school. When that brother, Kento, is shot at the baby’s gender reveal party by the surrogate’s estranged husband, Hazel finds herself at the center of a trial that unleashes a flood of racism and resentment against her family that has been building for generations. Might the rediscovered letters of her great-grandfather, a Japanese American veteran whose family was interned during the Second World War, provide a lesson on how Hazel should move forward? Vitello’s crystalline prose elegantly captures the numbing grief that grips Hazel for much of the novel. Here she describes her own awareness of it as she focuses on building a house in the aftermath of Ethan’s death: “Even as the new house took shape, I remained frozen. Inert as a slug during summer’s drought. The folks at Grief Group had finally stopped calling, and one day, I woke up to the realization that if I kept pushing folks away, I would, soon, be peopleless.” These memorable characters nimbly embody the larger cultural forces at war in contemporary America.

A gripping and emotionally intelligent tale of resentment and loss.

Pub Date: May 21, 2024

ISBN: 9781960573964

Page Count: 296

Publisher: Sibylline Press

Review Posted Online: Jan. 2, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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