A gripping and emotionally intelligent tale of resentment and loss.
In Vitello’s novel, a young widow grapples with an attack on her family.
The small former mining town of Steeplejack rests at the foot of Idaho’s Bitterroot Mountains. It’s there that Hazel Zapf was raised, and where she returns after some years away to marry her high school sweetheart, Ethan Mackenzie, and work as a forensic artist. “I draw dead and maimed bodies for a living,” Hazel puts it simply. Of Japanese descent on her mother’s side, Hazel likens the work to the tradition of Kusôzu, “the practice of capturing the beauty of a posthumous body’s organic decomposition. It serves as a meditation on impermanence and transcendence.” When, a few years into their marriage, Ethan is killed in a car accident, Hazel’s first impulse is to draw his body, there in the morgue, as a way of processing the loss. Soon after Ethan’s death, Hazel finds herself playing landlord to Corinda Blair, the surrogate mother of her gay twin brother’s baby, a woman she has despised since high school. When that brother, Kento, is shot at the baby’s gender reveal party by the surrogate’s estranged husband, Hazel finds herself at the center of a trial that unleashes a flood of racism and resentment against her family that has been building for generations. Might the rediscovered letters of her great-grandfather, a Japanese American veteran whose family was interned during the Second World War, provide a lesson on how Hazel should move forward? Vitello’s crystalline prose elegantly captures the numbing grief that grips Hazel for much of the novel. Here she describes her own awareness of it as she focuses on building a house in the aftermath of Ethan’s death: “Even as the new house took shape, I remained frozen. Inert as a slug during summer’s drought. The folks at Grief Group had finally stopped calling, and one day, I woke up to the realization that if I kept pushing folks away, I would, soon, be peopleless.” These memorable characters nimbly embody the larger cultural forces at war in contemporary America.
A gripping and emotionally intelligent tale of resentment and loss.Pub Date: May 21, 2024
ISBN: 9781960573964
Page Count: 296
Publisher: Sibylline Press
Review Posted Online: Jan. 2, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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