An important but unevenly told story.
A fictionalized adaptation for teens of the Holocaust survival story Zail shared in her self-published adult memoir, The Tattooed Flower (2006).
Switching between Australia in 1982 and Europe during the Holocaust, this work presents two distinct first-person narratives connected by one life. The late-20th-century storyline is a work of shallow realistic fiction about teenage Lisa, whose comfortable life is disrupted when her beloved father is diagnosed with amyotrophic lateral sclerosis. The World War II storyline follows Emil, a Jewish boy from Czechoslovakia who manages against all odds to live through multiple Nazi camps before eventually emigrating to Australia. Only Emil comes alive on the page; Lisa exists mostly as a collection of ’80s pop-culture references and feelings about her father’s revelations. Until his diagnosis, he never revealed his childhood experiences to her. Other characters, including Lisa’s Hungarian mother (whose own Holocaust story is barely mentioned), serve only as window dressing. And yet it’s impossible not to feel the palpable loss as Emil grows sicker and parcels out his past over the course of one Shabbat after another; his experiences (largely drawn from Zail’s father’s life) make the novel succeed despite its other flaws. Major characters are coded white; jarringly, given his own experiences with being dehumanized, Emil describes arriving in Australia and hoping “to spot a kangaroo or a black man with a spear.”
An important but unevenly told story. (author’s note, Holocaust and ALS resources) (Historical fiction. 12-16)Pub Date: Sept. 10, 2024
ISBN: 9781760659394
Page Count: 384
Publisher: Walker Books Australia
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
Not so much one story as three (with a spectral onlooker); fans of the original may enjoy picking out the tweaks.
The March family marches on…in 1942.
Taking Beth, Jo, Meg, and Amy as point-of-view characters, the authorial quartet begins this spinoff with Beth dead but contributing free verse observations between chapters and the surviving sisters estranged. In the least developed storyline, Meg stays home, flirting briefly with being unfaithful to absent fellow teacher and beau John. Jo stalks off to work as a riveter in an airplane factory and (confirming the speculations of generations of nuance-sensitive readers) discovers her queerness. True to character, Amy lies about both her age and her admission to art school in Montreal so she can secretly join the Red Cross and is shipped off to London—where she runs into and falls for wounded airman Laurie. Though linked to the original by names, themes (notably the outwardly calm, saintly Marmee’s admission of inner anger, which is reflected here in her daughters), and incidents that are similar in type, there are enough references to period details to establish a weak sense of setting. Giving Meg and Amy chances to reflect on their racial attitudes through the introduction of a Japanese American student and, in a single quick encounter, a Black serviceman feels perfunctory given the otherwise all-White cast. Jo’s slower ride to self-knowledge, though heavily foreshadowed, comes off as more authentic. If the sisters’ eventual fence-mending is predictable, it’s also refreshingly acerbic.
Not so much one story as three (with a spectral onlooker); fans of the original may enjoy picking out the tweaks. (Historical fiction. 12-16)Pub Date: March 8, 2022
ISBN: 978-0-593-37259-3
Page Count: 400
Publisher: Delacorte
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
Stronger books may exist about the 1960s, but female friendship tales never go out of style.
For “bad girls,” hell can be a place on Earth.
In Houston in the early ’60s, girls only seem to have two choices: be a good girl and get married or be a bad girl and live your life. Fifteen-year-old Evie, from a working-class White family, became a bad girl after her sister’s shotgun wedding took her away from home. Mexican American neighbor Juanita, who smokes, drinks, wears intense eye makeup, and runs with the tough crowd, takes Evie under her wing, but despite the loyalty of this new sisterhood, Evie often feels uncertain of her place. When a rich girl from the wealthy part of town named Diane saves Evie from assault by killing the attacker, Evie finds a new friend and, through that friendship, discovers her own courage. This work borrows a few recognizable beats from S.E. Hinton’s 1967 classic, The Outsiders—class tensions, friendship, death, and a first-person narrative that frequently employs the word tuff—but with a gender-swapped spin. Overall, the novel would have benefited from a stronger evocation of the setting. During an era of societal upheaval, Evie struggles to reconcile her frustration at the limited roles defined for her and her friends, with many moments of understanding and reflection that will resonate with modern readers’ sensibilities—although sadly she still victim blames herself for the attempted assault.
Stronger books may exist about the 1960s, but female friendship tales never go out of style. (author's note, resources) (Historical fiction. 12-15)Pub Date: Oct. 19, 2021
ISBN: 978-1-250-23258-8
Page Count: 304
Publisher: Roaring Brook Press
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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