Stepping down a bit from his Arnoldian brand of technophobia, Birkerts (Gutenberg Elegies, 1994) gathers fellow writers' essays together to confront the wired future. The hot topic of the digitally driven decline of reading makes for a timely inauguration for Graywolf's new Forum series, with new essays from Paul West, Mark Slouka, Alice Fulton, Wendy Lesser, Albert Goldbarth, and Birkerts himself. Tolstoy discarded his dictaphone (a present from Thomas Edison) because it was ``too dreadfully exciting,'' but most of the writers here find technology simply dreadful, though a few are caught up in its excitement. Askold Melnyczuk, who supplies the Tolstoy anecdote, leads the reactionary pack with such shrill opinions as, ``Technology is class war by other means.'' Paul West is no less impassioned but far wittier as he divulges his chaotic typewriter- and paper-driven method of composition and skewers the fading of literary culture. In another, more reflective essay on the writing life, Jonathan Franzen defends the obsolete, whether technological, cultural, or creative. Birkerts's contribution is a stump speech on the intellectual value of reading on paper as opposed to computer screen. Not all these writers are averse to technology: Wendy Lesser describes her enthrallment with e-mail; Alice Fulton finds genuine benefit (and personal relevance) in researching her family's rare medical condition through the Internet; and Carole Maso riffs engagingly on hypertext's revolutionary potentials. Only Robert Pinsky, who has both translated Dante and worked on a CD-ROM ``electronic novel,'' demonstrates a knowledge of science's nuts and bolts, much less its perspective; his essay reflects on his engineer father-in-law's experience of the 20th century's technological quantum leaps. Though Birkerts packs this forum on the side of literary Ludditism, these varied responses to technophilia and the Information Age still have plenty of individual charm.
Pub Date: Sept. 1, 1996
ISBN: 1-55597-248-9
Page Count: 256
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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