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TERMUSH

A prescient parable that finds the rich dismayed with what happens after the world ends.

Well-to-do survivors of a post-apocalyptic disaster hole up in an exclusive hotel.

When unbelievable events regularly happen before our eyes, it's instructive to have artifacts to give them context—for instance, this buried treasure, originally published by Danish novelist Holm in 1967, translated contemporaneously by British novelist Clayton, and resurrected from the archives with a new introduction by SF lighthouse keeper Jeff VanderMeer. It’s a slim novel, but its universal setting and farsighted themes combine with the author’s eerie minimalism to make it feel as modern as it is avant-garde. “Everything went according to plan...” says the anonymous narrator, making observations from the titular hotel where a wealthy group of survivors are sheltering from deadly radiation outside. We learn that the narrator enrolled in the program some years ago, promised "a guarantee of help” when the time came, complete with protective shelters, security personnel, and uncontaminated food and water. Before long, things begin to go wrong, from the near-constant radiation alarms that drive Termush’s inhabitants underground to dead birds falling from the air to the arrival of other survivors quickly labeled enemies. Inevitably, the denizens of the resort are transformed. Like the privileged tourists playing dress-up in dystopian fictions like Westworld or White Lotus, our narrator and the other residents of Termush devolve to their basest instincts sooner than you’d think: “We paid money to go on living in the same way that one once paid health insurance; we bought the commodity called survival, and according to all existing contracts no one has the right to take it from us or make demands upon it.” When brandy and sedatives fail and violence and death follow, the survivors of Termush soon learn that money doesn’t provide as much insulation as it did in the Before Times.

A prescient parable that finds the rich dismayed with what happens after the world ends.

Pub Date: Jan. 9, 2024

ISBN: 9780374613587

Page Count: 128

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHEN THE MOON HITS YOUR EYE

A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.

A Wallace & Gromit dream is more of a nightmare in this darkly farcical science fantasy in which the moon inexplicably becomes…well, not green, but decidedly dairy.

When the moon and every lunar sample on Earth transform into a cheese-like substance, it seems amusing at first, but the appearance of this newly organic, extremely unstable satellite has far-reaching, apocalyptic consequences. A variety of U.S. citizens—disappointed astronauts from newly cancelled lunar missions, scientists whose understanding of the universe has been entirely upended, writers frantically adapting their pitches, retirees at a rural diner finding solace in their friendship, a small church community looking for divine answers, bickering cheese-shop owners whose product gets both welcome and unwelcome attention, the ultra-wealthy owner of an aerospace company with a spectacularly self-involved agenda, bank executives seeking a financial angle, and government officials desperately scheduling press conferences—respond in ways grand and petty, generous and self-serving. Those responses can only escalate when a cheesy lunar fragment threatens to destroy all life on our planet. Scalzi’s premise is absurd, but it’s merely the pretext to take a multifaceted, satiric look at how Americans deal with large-scale crisis, something we’re abundantly and recently familiar with, and will no doubt experience again in the not-so-distant future. He writes of denial, conspiracy theories, anger directed at the wrong people, unscrupulous political machinations, and multiple attempts at profiting from the end of the world, for as long as it lasts. There are moments of unexpected kindness and generosity, too. Of course, Scalzi takes aim at his favorite corporate, social, and government targets, as well as at the cheap sentiment that crisis always seems to inspire (as exemplified by a catastrophic Saturday Night Live episode).

A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.

Pub Date: March 25, 2025

ISBN: 9780765389091

Page Count: 336

Publisher: Tor

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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