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``EXTERMINATE ALL THE BRUTES''

Name: ``EXTERMINATE ALL THE BRUTES''
Author: Sven Lindqvist
ISBN: 1-56584-002-X

A MODERN ODYSSEY INTO THE HEART OF DARKNESS

by Sven Lindqvist ‧ RELEASE DATE: April 27, 1996

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An impressionistic history of European colonialism, in which the author argues that Enlightenment ideals of social evolution and human perfectibility, carried to their logical extreme, resulted in genocide. Taking his title from Joseph Conrad's haunted fable of colonialism, Swedish scholar Lindqvist extends Hannah Arendt's argument that the practice of imperialism demands an ideology of racism, itself a product of Enlightenment scientific theory. Much of his short, essayistic book describes the factual circumstances that informed Conrad's fiction, and in this alone it is a fine contribution to literary history. He turns up contemporary newspaper accounts of a Belgian captain who decorated his flower beds with the heads of African natives; of British massacres of wounded Mahdist soldiers after the battle of Omdurman, in which ``within the space of five hours, the strongest and best-armed savage army yet arrayed against a modern European power had been destroyed and dispersed, with hardly any difficulty''; of German concentration camps in the Namibian desert in which thousands of natives died. Such horrors, Lindqvist writes, were not isolated outbursts of savagery but the outcome of a doctrine that placed Europe at the top of the evolutionary ladder and regarded non-Europeans as a separate species bound for extinction. Lindqvist argues that such thinking leads to Auschwitz, ``the modern industrial application of a policy of extermination on which European world domination had long since rested.'' Peppering the narrative are notes from Lindqvist's travels into the Sahara that occasionally slide into self-indulgence. But these do not detract from the power of his argument or his view that all around us Heart of Darkness is being endlessly restaged. Admirers of Edward Said's Orientalism will find Lindqvist's book an eminently worthy companion. (b&w illustrations)

Pub Date: April 27, 1996

ISBN: 1-56584-002-X

Page Count: 192

Publisher: The New Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
TERRA NULLIUS
by Sven Lindqvist & translated by Sarah Death

- BOOK REVIEW
THE SKULL MEASURER'S MISTAKE
by Sven Lindqvist

- BOOK TO SCREEN
‘Exterminate All the Brutes’ Doc Coming in April

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.