An enjoyable if sometimes well-worn take on the self discovery/recovery novel.
A woman whose past is clouded by personal trauma tries to reinvent herself as a home-decluttering guru but quickly discovers the life in need of a deep clean may be her own.
Thirty-seven-year-old Stevie Green loves organizing “for the same reason that [she] loves vacuuming: immediate, tangible results, which [are] so unlike the slow, mysterious shifts of the internal self.” And over the past six months, she’s undergone many of the latter: finally getting sober; returning to her hometown of La Jolla and moving close to her mother; starting a burgeoning organization-and-personal-reinvention service; and gradually beginning to recover from a debilitating car accident. But the trajectory of her life is unceremoniously rocked by the arrival of Bonnie, her free-spirited younger sister—their relationship’s always been marked by an uncrossable rift—who is reeling from a recent breakup, and then a chance run-in with her estranged high school best friend, Chris. At her mother’s prodding, Stevie reluctantly takes Bonnie on as an assistant, and the two become a well-oiled team, helping each of their semidirectionless clients cast off unnecessary possessions “holding [them] back and weighing [them] down.” All the while, artifacts from Stevie’s own past keep snaking back into her life; she quickly learns how frustratingly slowly personal growth occurs and must reckon with the past’s tenacious grip on her life before she can make changes. Huntley has constructed a compelling protagonist who oscillates between obliviousness and excruciating self-awareness, building a complex internal landscape and allowing readers a layered understanding of Stevie's eventual personal evolution. The book is primarily narrated by Stevie, with shorter sections told from the perspectives of other characters. Stevie’s sections are by far the strongest; in general, some of the ancillary characters feel half-baked or cartoonish (Bonnie’s California surfer-girl dialect in particular becomes grating). Though the plot unspools in a somewhat unsurprising way and its emphasis on self-discovery can be heavy-handed, its core is animated by genuine emotional resonance—plus a thoughtful exploration of addiction, anxiety about sexual identity, and the ways family bonds shift in adulthood.
An enjoyable if sometimes well-worn take on the self discovery/recovery novel.Pub Date: Jan. 25, 2022
ISBN: 978-1-9821-5962-7
Page Count: 304
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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