Morris dishes the fascinating dirt on—and logs the remarkable accomplishments of—this controversial author, social climber, magazine editor, athlete, foreign correspondent, and trophy wife. Most people these days know Clare Boothe Luce as the author of the acid-tongued movie classic The Women, which made Jungle Red nail polish a synonym for social intrigue and betrayal. Morris (Edith Kermit Roosevelt, 1980), who had access to Luce in the last years of her life and to the letters, journals, and documents that Luce kept from her adolescence, blends the killer nail color with a more subtle palette in a complex portrait of an intelligent, ambitious, and multi-faceted woman who was also beautiful, charming, witty, and always elegantly turned out. However, there was no silver spoon in Clare's mouth when she was born in 1903, the illegitimate child of an upwardly striving young mother, who at some point in Luce's childhood probably earned a living as a call girl. That interfered with the quest of neither mother nor daughter for wealthy, well-connected partners. Clare's first husband was rich, social, alcoholic George Brokaw. After their divorce, she begged a job from magazine publisher CondÇ Nast. Within a few years she was managing editor of Vanity Fair, a playwright, essayist, and the object of Henry Luce's desire. Married to Luce, she went on to become a war correspondent, filing reports for the new Life magazine. The controversy surrounding her often obscured the fact that she was a talented writer and an astute, if sometimes venomous, reporter. Lap up Volume I, with its intimate and sometimes contradictary detail: Clare Boothe Luce, her Vionnet dresses fitted in Paris, as feminist icon. Watch for Volume II—Clare as congresswoman and US ambassador. (45 b&w photos, not seen) (First serial to Vanity Fair; Book-of-the-Month Club selection)
Pub Date: June 1, 1997
ISBN: 0-394-57555-5
Page Count: 560
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
