by Sylvia Plath ; edited by Peter K. Steinberg & Karen V. Kukil ‧ RELEASE DATE: Oct. 30, 2018
An exemplary edition offering a textured portrait of an iconic poet.
Six years of hope and joy end with a spiraling descent to suicide.
Journals, soul-baring poems, autobiographical fiction, and several biographies and critical studies have made the trajectory and struggles of Sylvia Plath’s (1932-1963) life familiar. Nevertheless, the second volume of her correspondence, edited, annotated, and introduced by Plath scholars Steinberg and Kukil, offers new revelations: unabridged letters to her mother and letters to the psychiatrist who treated Plath in the U.S. until 1959 and by letter after Plath settled in England. In an exceptionally sensitive foreword, Plath’s daughter writes of her stunned reaction when these intimate letters came to light in 2016, her trepidation about reading them, and the insights they gave her about her parents’ intense, almost claustrophobic love and the dramatic end of their marriage. It was her generous and well-considered decision to allow them into this volume. In hundreds of letters to her mother, Plath ebulliently and insistently conveys her happiness about writing, motherhood, and—until she discovers Hughes’ affair—her marriage. She portrays Hughes as nothing less than an Adonis: “a kind, handsome, wonderful person”; virile and attractive; a genius who, without a doubt, will achieve greatness as a poet. He tenderly nurses her through colds, flu, and a miscarriage and happily plays with his daughter in the mornings so that Plath can write. Even when struggling financially, even when they both try to write in a cramped two-room apartment, Plath betrays no chink in the gleaming surface of their marriage. In 1959, though, when both are in residence at Yaddo, she admits, “I am so happy we can work apart, for that is what we’ve really needed.” Correspondents include Plath’s brother; Hughes’ parents (to whom she writes ingratiating encomiums about their son) and his overbearing sister; friends, fellow poets, and assorted relatives; and many editors who publish her work. Although worries and anxiety occasionally creep in, not until the end does she become overwhelmed with frustration, anger, and a desperate fear of madness.
An exemplary edition offering a textured portrait of an iconic poet.Pub Date: Oct. 30, 2018
ISBN: 978-0-06-274058-8
Page Count: 1088
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Sylvia Plath & edited by Karen V. Kukil
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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