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THE IMAGINARY ALPHABET

Fun with phonics.

An alliterative animal abecedarium for avid apprentices.

This whimsical yet elegant alphabet book unfolds in a series of 26 vignettes. Daigneault crafts scenes bursting with opportunity for further exploration of each sound. “C,” for example, is “Clumsy Camel Cutting a Crunchy Cake.” The accompanying illustration depicts the long-legged shaggy beast perched on a chair, cutting a toppling cake, while a curious cat looks on (clouds dotting the sky and a candy shop in the background). The letter C on the opposing page is formed out of a prickly cactus. Readers will delight not simply in the sounds, but also in the strange juxtaposition of the quirky subjects, drawn in lavish, ornate style. Of course, even the more uncommon letters are given time to shine. “Quick-tempered Quails Quarrelling in a Queue” finds a line of feathered friends in heated debate along a quay, near a shop selling quiches and quahogs. Some scenes feel a bit cluttered (the hallway where a happy hippo hops is filled with a helmet, a hamster, a helicopter, hornets, horns, hummingbirds, and more), but most strike a delicate balance of both accurate description and intricately added details. A list of other items to spot is appended. (This book was reviewed digitally.)

Fun with phonics. (Picture book. 3-6)

Pub Date: Sept. 19, 2023

ISBN: 9781772782998

Page Count: 64

Publisher: Pajama Press

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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