An intriguing integration of The Nutcracker’s magic into a new setting and a welcome addition to the shelf of...
The plot structure of The Nutcracker ballet’s first act is used as the inspiration for this Jazz Age–era story about a shy girl in Harlem.
Marie loves Christmas, but she is rather overwhelmed at her family’s large Christmas party with singing, dancing, and piano music provided by her uncle Cab. Marie is encouraged to sing at the party, but she has no confidence in her musical abilities. She falls asleep under the Christmas tree with her gift, a nutcracker drummer boy, a present from Uncle Cab. A dream sequence begins, incorporating elements from the ballet, with dancers, soldiers, the transformed Nutcracker, and an army of uniformed mice. A dramatic battle ensues between the soldiers and the mice, and Marie halts the fighting by playing the Nutcracker’s drum and scaring the mice away. She dances with the Nutcracker, transformed into a handsome young black man, and then finds the confidence to sing. Marie’s dream ends on Christmas morning, and one of her gifts is her own blue drum, matching the drum she used in her dream. Radiant watercolor illustrations use a palette of glowing jewel tones, especially deep blues and brilliant fuchsia for Marie’s flowing dress. All the characters are African-American, with the women in Marie’s family wearing coats and hats of the period. An author’s note provides information about the Harlem Renaissance and the inspiration for the story.
An intriguing integration of The Nutcracker’s magic into a new setting and a welcome addition to the shelf of Nutcracker-themed picture books. (Picture book. 4-8)Pub Date: Sept. 19, 2017
ISBN: 978-0-06-117598-5
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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