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A Life Worth Living

A sometimes-disorienting but heartfelt look at the scope of a modern family’s emotions.

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Scott’s debut family drama spotlights the ebb and flow of relationships between parents, spouses, siblings, and others as they navigate the immovable forces of life.

Dave and Debbie are no strangers to the strains of time, money, and work demands on a marriage. At the novel’s outset, Dave is plagued by the long hours that are typical of modern, white-collar America, frequently forgetting the time of night—and his family—as he juggles numbers at his financial job. Debbie, stressed by her double workload of caring for their adolescent children, Aidan and Summer, and covering long night shifts as a nurse at the local hospital, begins having her doubts as to whether their relationship can hold up. After some heated discussion, Dave resolves to spend more time with his family and less time at the office. Dave, Debbie, Aidan, and Summer set off together to Debbie’s parents’ lake house for a relaxing weekend together. However, Dave, lost in thought, nearly swerves off the road at a hairpin bend. As the story progresses, each member of the brood becomes embroiled in challenging personal dramas: Summer suffers her first real heartbreak; Debbie is tempted by the adoration of a colleague; Dave continues to struggle with reconnecting with his wife; and Aidan is involved in an accident that sends shock waves beyond just his nuclear family. Although the book’s pacing smoothly follows the central characters for much of the book, Scott later introduces Dave’s vivid, uncanny dream states, which will begin to rock readers’ perceptions of what’s really happening. This uncertainty will help to keep readers engaged in the cyclical nature of Dave and Debbie’s marriage struggles. However, it’s introduced at a fairly late stage, and the story may require patience on the part of readers at some points. The key to the true meaning of Dave’s dreams will be a rewarding revelation for steadfast readers.

A sometimes-disorienting but heartfelt look at the scope of a modern family’s emotions. 

Pub Date: April 5, 2015

ISBN: 978-1-5116-0796-4

Page Count: 360

Publisher: CreateSpace

Review Posted Online: Nov. 11, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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