Next book

THE WITCHWOOD CROWN

Not just utterly readable—an instant fantasy classic.

Almost three decades after the release of the first volume of Williams’ epic fantasy series, Memory, Sorrow, and Thorn, he returns to the iconic realm of Osten Ard with the stunning first installment of a new sequel trilogy.

Set approximately 30 years after the conclusion of To Green Angel Tower (1993), the story begins with the once relatively peaceful realm being destabilized by fear, greed, and ignorance. A Sitha envoy en route to King Simon and Queen Miriamele, rulers of Osten Ard, is attacked on her way to the seat of the High Throne and left for dead. But the near-dead fairy—and her unrelayed message—is the least of the rulers’ worries. There are disturbing rumors surrounding an old ally, King Hugh of Hernystir, whose soon-to-be wife is said to be reviving the dark rituals of an ancient goddess of death. The immortal Norn queen Utuk’ku has awakened from her decadeslong sleep and is preparing for war against the mortals of the realm. There is a growing political unrest in the southern realms. And to make matters worse, Simon and Miriamele’s 17-year-old grandson, Morgan, heir to the throne, is a self-centered drunkard. With his kingdom falling into chaos, Simon is forced to ask himself: “They have left us a world, but have they left us enough wisdom to protect it?” A richly described, meticulously plotted, and multilayered narrative tapestry featuring a diversity of adeptly developed characters and multiple storylines, this is flawless epic fantasy. Building upon the revered history of Memory, Sorrow, and Thorn, Williams has outdone himself by penning a 700-plus page novel that is virtually un-put-down-able. Powered by the dichotomy between breathtaking narrative scope and the emotional intensity and intimacy of individual storylines, Williams’ grand-scale storytelling mastery is on full display here.

Not just utterly readable—an instant fantasy classic.

Pub Date: June 27, 2017

ISBN: 978-0-7564-1060-5

Page Count: 736

Publisher: DAW/Berkley

Review Posted Online: April 3, 2017

Kirkus Reviews Issue: April 15, 2017

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 39


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Awards & Accolades

Likes

  • Readers Vote
  • 39


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

Awards & Accolades

Likes

  • Readers Vote
  • 27


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

NINTH HOUSE

From the Ninth House series , Vol. 1

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

Awards & Accolades

Likes

  • Readers Vote
  • 27


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

Close Quickview