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THE WITCHWOOD CROWN

Not just utterly readable—an instant fantasy classic.

Almost three decades after the release of the first volume of Williams’ epic fantasy series, Memory, Sorrow, and Thorn, he returns to the iconic realm of Osten Ard with the stunning first installment of a new sequel trilogy.

Set approximately 30 years after the conclusion of To Green Angel Tower (1993), the story begins with the once relatively peaceful realm being destabilized by fear, greed, and ignorance. A Sitha envoy en route to King Simon and Queen Miriamele, rulers of Osten Ard, is attacked on her way to the seat of the High Throne and left for dead. But the near-dead fairy—and her unrelayed message—is the least of the rulers’ worries. There are disturbing rumors surrounding an old ally, King Hugh of Hernystir, whose soon-to-be wife is said to be reviving the dark rituals of an ancient goddess of death. The immortal Norn queen Utuk’ku has awakened from her decadeslong sleep and is preparing for war against the mortals of the realm. There is a growing political unrest in the southern realms. And to make matters worse, Simon and Miriamele’s 17-year-old grandson, Morgan, heir to the throne, is a self-centered drunkard. With his kingdom falling into chaos, Simon is forced to ask himself: “They have left us a world, but have they left us enough wisdom to protect it?” A richly described, meticulously plotted, and multilayered narrative tapestry featuring a diversity of adeptly developed characters and multiple storylines, this is flawless epic fantasy. Building upon the revered history of Memory, Sorrow, and Thorn, Williams has outdone himself by penning a 700-plus page novel that is virtually un-put-down-able. Powered by the dichotomy between breathtaking narrative scope and the emotional intensity and intimacy of individual storylines, Williams’ grand-scale storytelling mastery is on full display here.

Not just utterly readable—an instant fantasy classic.

Pub Date: June 27, 2017

ISBN: 978-0-7564-1060-5

Page Count: 736

Publisher: DAW/Berkley

Review Posted Online: April 3, 2017

Kirkus Reviews Issue: April 15, 2017

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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A DISCOVERY OF WITCHES

From the All Souls Trilogy series , Vol. 1

Entertaining, though not in the league of J.K. Rowling—or even Anne Rice. But please, people: no more vamps and wizards, OK?

Harry Potter meets Lestat de Lioncourt. Throw in a time machine, and you’ve got just about everything you need for a full-kit fantasy.

The protagonist is a witch. Her beau is a vampire. If you accept the argument that we’ve seen entirely too many of both kinds of characters in contemporary fiction, then you’re not alone. Yet, though Harkness seems to be arriving very late to a party that one hopes will soon break up, her debut novel has its merits; she writes well, for one thing, and, as a historian at the University of Southern California, she has a scholarly bent that plays out effectively here. Indeed, her tale opens in a library—and not just any library, but the Bodleian at Oxford, pride of England and the world. Diana Bishop is both tenured scholar and witch, and when her book-fetcher hauls up a medieval treatise on alchemy with “a faint, iridescent shimmer that seemed to be escaping from between the pages,” she knows what to do with it. Unfortunately, the library is crammed with other witches, some of malevolent intent, and Diana soon finds that books can be dangerous propositions. She’s a bit of a geek, and not shy of bragging, either, as when she trumpets the fact that she has “a prodigious, photographic memory” and could read and write before any of the other children of the coven could. Yet she blossoms, as befits a bodice-ripper no matter how learned, once neckbiter and renowned geneticist Matthew Clairmont enters the scene. He’s a smoothy, that one, “used to being the only active participant in a conversation,” smart and goal-oriented, and a valuable ally in the great mantomachy that follows—and besides, he’s a pretty good kisser, too. “It’s a vampire thing,” he modestly avers.

Entertaining, though not in the league of J.K. Rowling—or even Anne Rice. But please, people: no more vamps and wizards, OK?

Pub Date: Feb. 8, 2011

ISBN: 978-0-670-02241-0

Page Count: 592

Publisher: Viking

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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