A gentle, intelligent exercise in nihilism: Life, Jelloun seems to say with a pained smile, is hardly worth discussing.
In this consideration of the meaning of friendship, desertion and lies become an expression of loyalty.
Mamed and Ali have been best friends since their school days in Tangiers. They discover sex together, in brothels and with their willing but necessarily circumspect peers—girls who cheerfully embrace sodomy as a means of preserving their virginity for marriage. Through aimlessness as much as conviction, they become involved in left-wing politics, and both are imprisoned. In prison, each man saves the other’s life. Although both marry women who are jealous of the friendship, it survives, remaining the main relationship in the men’s lives even after Mamed leaves Tangiers to take a long-term job in Stockholm. One day, without warning and for apparently fanciful reasons, Mamed turns on Ali, brutally accuses him of using the friendship to steal from Mamed’s family, and refuses to ever see or speak to him again. Ben Jelloun (Islam Explained, 2002, etc.) tells his story in three first-person narratives: The first is from the perspective of Ali, the abandoned friend; then Mamed tells the same history, exposing the reason for his rejection of Ali; finally, a mutual friend of both adds a postscript. This structure is employed to depict the delicate shades of difference between similar minds. The tone is placid, at times almost bored. The only characters of importance are the friends, and the book suggests that the ultimate significance of a life can be expressed in a single relationship. In making that relationship humdrum, passionless and lacking in substance, the author has produced a work that may be likened to a long, disappointed sigh.
A gentle, intelligent exercise in nihilism: Life, Jelloun seems to say with a pained smile, is hardly worth discussing.Pub Date: Feb. 2, 2006
ISBN: 1-59558-008-5
Page Count: 192
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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