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A GOLDEN AGE

Panoramic in its sense of history, intensely personal in its sense of drama—a wonderfully sad yet joyous read.

This remarkably moving and assured debut, the first in a planned trilogy, tells the story of Bangladesh’s 1971 war for independence through the eyes of a widow who will do anything to ensure her children’s survival.

The widow Rehana has remade her life more than once. With her once wealthy Muslim family, she was forced to leave Calcutta for Karachi during Partition; after an arranged marriage she moved to Dhaka with her husband; when her husband died, she temporarily lost her children to her wealthy brother-in-law back in Karachi, until she found the financial means—how and where is her shameful secret—to bring them back a year later. Ten years later, Rehana lives contentedly with her son Sohail and daughter Maya, both politically active students at the local university. Then civil war breaks out and her children sweep Rehana into political events. Sohail, who has always been a pacifist, joins the resistance fighters. Maya, whose best friend has been raped and murdered by the Pakistanis, becomes a resistance spokeswoman. Anam keeps Rehana grounded in a daily routine—there are evocative scenes of cooking, of sewing blankets out of saris, of going to market—that brings Bangladesh to life amid the chaos and carnage of the war. Soon Rehana is hiding not only supplies and armaments on her property, but also a wounded resistance officer. At first she resents him for his role in endangering her son’s life, but growing to love him, as years earlier she grew to love her husband, she confides the secret theft that gave her financial survival and her guilt at losing her children even temporarily. Ultimately, she must make a final horrendous sacrifice to keep them safe again. Rehana is a memorable literary achievement, exemplifying motherhood in all its complexity and intensity. That her relationships with her children are difficult, often prickly, only makes her maternal passion that much more believable and heartrending.

Panoramic in its sense of history, intensely personal in its sense of drama—a wonderfully sad yet joyous read.

Pub Date: Jan. 8, 2008

ISBN: 978-0-06-147874-1

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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