Pleasant Asian take on the always reliable Aga saga.
Characters from Matsuoka’s bellicose Cloud of Sparrows (2002) return for the calmer tale of an aristocratic family’s extra-sensorily perceptive inheritance.
Time folds in and out of itself, and characters chat across the centuries as members of the lordly Okumichi clan cope with the family curse: an ability to see, but not to change, the future. The prognosticatory DNA spliced itself into the gene pool in the 14th century when Go, a turncoat Hun whose mother always said she was a witch, crossed over from the seemingly invincible Mongol invaders to cast his lot with the samurai. Go’s daughter, Lady Shizuka, endures a childhood made hellish by the madness of unsorted futuristic visions, then when she outgrows them focuses her forward look on a long-term relationship with 19th-century descendant Lord Kiyori, grandfather of Genji, the brilliant samurai who understands that it is Japan’s fate to become modern. As the Japanese nation copes with the problems of the New, Lord Genji must cope with the perplexities of Love and Race embodied in exquisite American ex-missionary Emily Gibson. Christian sensibilities notwithstanding, Miss Gibson has it bad for Lord Genji. Since the collapse of her evangelical denomination, Emily has busied herself working on the translation of recently unearthed Okumichi family scrolls, missives from the past that hint at Emily’s own arrival and family involvement. Genji, by the way, is the member of his generation who has inherited the view of the future, but rather than seeing everything he has only three visions, teasingly revealed over the stretch of the story. Such tension as there is in this pretty but rather slow drama comes from the plottings of Lord Genji’s many reactionary enemies, pressures on Emily to choose an American husband, Genji’s own end, and the fate of his son, a native of San Francisco.
Pleasant Asian take on the always reliable Aga saga.Pub Date: Aug. 3, 2004
ISBN: 0-385-33641-1
Page Count: 432
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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