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AUTUMN BRIDGE

Pleasant Asian take on the always reliable Aga saga.

Characters from Matsuoka’s bellicose Cloud of Sparrows (2002) return for the calmer tale of an aristocratic family’s extra-sensorily perceptive inheritance.

Time folds in and out of itself, and characters chat across the centuries as members of the lordly Okumichi clan cope with the family curse: an ability to see, but not to change, the future. The prognosticatory DNA spliced itself into the gene pool in the 14th century when Go, a turncoat Hun whose mother always said she was a witch, crossed over from the seemingly invincible Mongol invaders to cast his lot with the samurai. Go’s daughter, Lady Shizuka, endures a childhood made hellish by the madness of unsorted futuristic visions, then when she outgrows them focuses her forward look on a long-term relationship with 19th-century descendant Lord Kiyori, grandfather of Genji, the brilliant samurai who understands that it is Japan’s fate to become modern. As the Japanese nation copes with the problems of the New, Lord Genji must cope with the perplexities of Love and Race embodied in exquisite American ex-missionary Emily Gibson. Christian sensibilities notwithstanding, Miss Gibson has it bad for Lord Genji. Since the collapse of her evangelical denomination, Emily has busied herself working on the translation of recently unearthed Okumichi family scrolls, missives from the past that hint at Emily’s own arrival and family involvement. Genji, by the way, is the member of his generation who has inherited the view of the future, but rather than seeing everything he has only three visions, teasingly revealed over the stretch of the story. Such tension as there is in this pretty but rather slow drama comes from the plottings of Lord Genji’s many reactionary enemies, pressures on Emily to choose an American husband, Genji’s own end, and the fate of his son, a native of San Francisco.

Pleasant Asian take on the always reliable Aga saga.

Pub Date: Aug. 3, 2004

ISBN: 0-385-33641-1

Page Count: 432

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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