Pleasant Asian take on the always reliable Aga saga.
Characters from Matsuoka’s bellicose Cloud of Sparrows (2002) return for the calmer tale of an aristocratic family’s extra-sensorily perceptive inheritance.
Time folds in and out of itself, and characters chat across the centuries as members of the lordly Okumichi clan cope with the family curse: an ability to see, but not to change, the future. The prognosticatory DNA spliced itself into the gene pool in the 14th century when Go, a turncoat Hun whose mother always said she was a witch, crossed over from the seemingly invincible Mongol invaders to cast his lot with the samurai. Go’s daughter, Lady Shizuka, endures a childhood made hellish by the madness of unsorted futuristic visions, then when she outgrows them focuses her forward look on a long-term relationship with 19th-century descendant Lord Kiyori, grandfather of Genji, the brilliant samurai who understands that it is Japan’s fate to become modern. As the Japanese nation copes with the problems of the New, Lord Genji must cope with the perplexities of Love and Race embodied in exquisite American ex-missionary Emily Gibson. Christian sensibilities notwithstanding, Miss Gibson has it bad for Lord Genji. Since the collapse of her evangelical denomination, Emily has busied herself working on the translation of recently unearthed Okumichi family scrolls, missives from the past that hint at Emily’s own arrival and family involvement. Genji, by the way, is the member of his generation who has inherited the view of the future, but rather than seeing everything he has only three visions, teasingly revealed over the stretch of the story. Such tension as there is in this pretty but rather slow drama comes from the plottings of Lord Genji’s many reactionary enemies, pressures on Emily to choose an American husband, Genji’s own end, and the fate of his son, a native of San Francisco.
Pleasant Asian take on the always reliable Aga saga.Pub Date: Aug. 3, 2004
ISBN: 0-385-33641-1
Page Count: 432
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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