Thrill-seekers and serious students of ancient Egyptian culture and values will be equally enthralled.
An exact description of a royal mummy’s embalming and burial, drawn from ancient records and from evidence found in a nearly intact tomb discovered in 1905.
Bower (How the Amazon Queen Fought the Prince of Egypt, 2005) embellishes her reverent account in minor ways with invented narrative details and in major ones with majestic illustrations of figures drawn in ancient Egyptian style. Ipy, son of the royal embalmer, Paneb, helps his priestly father prepare the body of Yuya—maternal grandfather of Pharaoh Ankhnaten—who is then buried near the Valley of the Kings. The author interweaves the explicit procedures (“Paneb slowly slipped his hand into the cut and started to pull out the intestines”) with associated rituals, transliterations of messages and prayers tucked into the many layers of linen wrapping, and explanations of each step’s physical and metaphysical significance. The pictures are less detailed, but they do capture the solemnity of the occasion as the mummy is created and then interred by a long procession of figures, each with a name or explanatory caption beneath. An emotional account of the tomb’s rediscovery, with photos and research notes, forms a substantial afterword. Readers will come away still vague on the actual chemicals employed (natron, for instance, though much mentioned, is defined only as “a sacred salt-like substance”) but clear about the profound ceremonial importance of the ancient rites.
Thrill-seekers and serious students of ancient Egyptian culture and values will be equally enthralled. (map, bibliography, family tree) (Informational picture book. 8-11)Pub Date: March 8, 2016
ISBN: 978-1-60980-600-2
Page Count: 40
Publisher: Triangle Square Books for Young Readers
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
BOOK REVIEW
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
Suggesting that some things haven’t changed since the Stone Age, Briggs (A Bit More Bert, p. 1300, etc.) introduces a moon-faced lad who infuriates his clueless parents by insistently questioning things-as-they-are. To the despair and fury of his dad, Dug, and mom, Dugs, Ug is forever complaining about his stone trousers, wanting something nicer for breakfast than “cold bits of dead animal,” wondering whether the stream couldn’t be “bent” a bit closer to the family cave. He’s not all talk, either, though most of his bright ideas come to naught; his stone boat sinks, his wheel rolls down the hill but has no other apparent use, and though his father indulgently cuts trousers for him from animal hide, they aren’t wearable, as sewing hasn’t been invented. Briggs tells the tale in cartoon panels with dialogue balloons, footnoting his own anachronisms: “No one living in the Stone Age would know he was living in the Stone Age. He would believe he was living in the modern age. Today we believe we are living in the modern age. Time will tell.” Ultimately, Ug fulfills his mother’s dark prediction that he would end up painting on walls, and is last seen beneath his art, still pining for something better. Beneath the satiric barbs there’s a touch of poignancy to this tale of a da Vinci just a few dozen millennia ahead of his time. (Picture book. 8-11)
Pub Date: Oct. 8, 2002
ISBN: 0-375-91611-3
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
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