by Tamara Levitt ; illustrated by Tamara Levitt ‧ RELEASE DATE: Nov. 21, 2017
Even for New Age parents and kids, Clara may be just too calm.
Mindfulness is the new hot topic in education, so this effort could be a timely addition to the “picture books for parenting” shelf.
Clara wants to be nice, but her temper flares when things don’t go her way. Eventually, her unpredictable behavior alienates her friends. Fortunately (and rather improbably) a wisecracking bird named Brodhi shows up poolside to teach her to “chill out”—slow down and breathe deep. The well-meaning message is clear, but that is part of the problem. The lesson overpowers the slight story. There is no doubt where the story is heading or how it will be resolved. The muted pastel illustrations are certainly calm but unlikely to draw in children who are not already calm themselves. Similarly, the picture-book format will be most attractive to young children, not the 8- to 12-year-olds Levitt seems to be targeting. Clara is white and decidedly middle-class. While she has two friends of color, the friend who features most prominently is also white. “Butter tarts,” a uniquely Canadian treat, also feature heavily in the story, which may puzzle U.S. readers.
Even for New Age parents and kids, Clara may be just too calm. (Picture book. 8-12)Pub Date: Nov. 21, 2017
ISBN: 978-1-61429-390-3
Page Count: 36
Publisher: Wisdom Publications
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by E.B. White illustrated by Garth Williams ‧ RELEASE DATE: Oct. 15, 1952
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
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SEEN & HEARD
by Raina Telgemeier ; illustrated by Raina Telgemeier ‧ RELEASE DATE: Sept. 13, 2016
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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