In Linse’s (How to Be a Man, 2014) novel, three orphaned siblings must rely on each other through a host of tragedies and triumphs.
CJ, Tibs and Maggie are siblings whose lives fell apart when, during their childhood, their parents were killed in an accident. Their relationships with each as adults other are fraught, and their coping mechanisms, poor. CJ, the eldest, throws herself into her bartending job and relationships with unavailable men. Tibs idolizes Ernest Hemingway and dreams of becoming an author but can’t bring himself to actually begin writing. And sweet Maggie, the youngest, throws a wrench into all of their lives when she falls for Jackdaw, a macho cowboy. When Maggie gets pregnant, Jackdaw reluctantly agrees to marry her but then withdraws completely when their child is born with spina bifida, leaving Maggie to rely on her siblings for support. Linse certainly has a feel for the world of rodeos, ranches and the West. Her descriptions ably evoke the landscape, with its “long string of beaver ponds that ripple and dazzle in the light.” However, certain plot developments—a sudden pregnancy, the birth of a special needs child—don’t feel organic to the narrative. Instead, the story turns into a soap opera, particularly when, late in the novel, an unexpected love triangle develops and is left unresolved. Furthermore, the story is divided into short chapters that alternate perspectives among the four main characters. While this can certainly be an effective storytelling technique, the chapters are so short (sometimes just a page or two), the transitions feel jarred and choppy. Each character therefore feels a little underdeveloped, left to the devices of the machinery of the plot. Ultimately, the story has its poignant elements but feels a little too trite for its own good.
A moving but uneven depiction of a family struggling through loss.
Pub Date: July 2, 2014
ISBN: 978-0991386734
Page Count: 328
Publisher: Willow Words
Review Posted Online: July 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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