A slim volume packed with rugged tales and smart, brawny characters.
Short stories on ranching and relationships.
Linse grew up on a ranch in Wyoming, broke her leg at 4 and a horse at 12. While her debut collection of stories spans 15 years of writing and vast narrative terrain, she never strays far from her roots. The folks who swagger and steal through these stories are tough; they’ve had it tough, but Linse carries them handily. In the title story, Birdie Gunderson is a farm girl but sees herself as neither girl nor boy but “an efficient cog in the machinery of the farm.” The story reads as a series of affirmations as a teenager struggles for identity amid the forces of society and tradition. Linse vividly renders the story with details likely gleaned from experience: using bag balm for cow teats as lip gloss; pollinating tomato plants at sunset. Strong women and girls dominate the collection. In “Nose to the Fence,” 14-year-old Cindy breaks in horses and city boys with arms made muscular by bailing hay. In “Mouse,” a 10-year-old rescues baby mice from the irrigation ditch but accepts their fate and dispatches each one with a heavy stone. Though less nuanced, Linse’s male narrators still hold the stories together. “Revelations,” for example, is full of bravado: With disjointed dialogue, three friends vie for control over women, nature and each other. “Hard Men” opens in perfect, deranged passion: Teenage Johnny has shot his father; the pizza man decomposes in the bathtub; Linse deftly sets the scene, weaves in back story, and adds a waft of bacon and the feel of blood through Scotchgarded carpet. Like most of Linse’s characters, Johnny is clever, and he wrangles the unfathomable to a rational end. But the end comes too soon—Johnny raises more questions than several pages can answer, as do Cindy, Mouse, Birdie and others. Linse writes as if flexing her own ranch-toned muscles, creating intense, original characters and letting them loose. The result could fill a novel—or two. All bodes well for Linse’s future work.
A slim volume packed with rugged tales and smart, brawny characters.Pub Date: Jan. 5, 2013
ISBN: 978-0-9913867-0-3
Page Count: 238
Publisher: Willow Words
Review Posted Online: March 4, 2014
Kirkus Reviews Issue: April 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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