Honest, inspirational, and unapologetic declarations of the trials and triumphs of Black womanhood.
An exciting and creatively illustrated compilation of noteworthy quotes attributed to 50 Black women across time.
Powerful and unforgettable words spoken by politicians, actresses, musicians, athletes, activists, writers, supermodels, businesswomen, philanthropists, dancers, one astronaut, one first lady, and one U.S. vice president grace the pages. Some entries capture the characteristics for which the subject is best known, such as anthropologist and writer Zora Neale Hurston’s memorable and poetic assertion of her elemental optimism: “No, I do not weep at the world—I’m too busy sharpening my oyster knife.” Others capture the speaker’s sense of humor, as in high priestess of neo-soul Erykah Badu’s admission that “I’m pretty mutable as a human being, period—if you put me on Pluto, I can figure it out.” Still others emphasize the vital importance of Black women’s radical self-care; Audre Lorde notes: “Caring for myself is not self-indulgence. It is self-preservation, and that is an act of political warfare.” Each quote appears next to a bold portrait illustration of its utterer. Ahanonu’s artwork, executed digitally, draws from pop-art aesthetics with eye-catching color blocking and fragmented shapes used to embellish and visually unify the entries. The text on each page includes a brief biographical note and a few lines of text elucidating the quote.
Honest, inspirational, and unapologetic declarations of the trials and triumphs of Black womanhood. (Nonfiction. 10-adult)Pub Date: Jan. 11, 2022
ISBN: 978-1-5344-6394-3
Page Count: 112
Publisher: Denene Millner Books/Simon & Schuster
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
Essential.
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
PROFILES
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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