A mesmerizing psychological drama on loss, guilt, frustration and implacable, unexplainable evil.
In Hoag's (Secrets to the Grave, 2010, etc.) latest literary suspense novel, Lauren Lawton, "ragged and torn and shredded," has retreated to bucolic Oak Knoll to heal.
The Lawtons lived the perfect life in nearby trendy Santa Barbara, and then their older daughter, Leslie, only 16, disappeared. It was certainly kidnapping, although no body was ever discovered. Lauren's husband couldn't recover from the tragedy and eventually died, apparently a suicide. Lauren always believed she knew who took Leslie, and her relentless pursuit of the shadowy Roland Ballencoa cost Lauren her social reputation and the support of the police. As the story moves to Oak Knoll, Hoag's regulars, Sheriff Detective Tony Mendez and retired FBI profiler Vince Leone and his wife Anne, a counselor, enter the narrative. Mendez begins an investigation, slowly coming to comprehend that Lauren isn't simply a woman mired in an unreconcilable past. Mendez learns that Ballencoa, a part-time photographer who has supposedly gone straight after serving time for a youthful sex crime, has followed Lauren to Oak Knoll. An intriguing new character in the familiar Hoag milieu is Santa Barbara police detective Danni Tanner, hard-bitten, cynical, sarcastic and totally dedicated. As Mendez probes deeper into Ballencoa's history and finds little solid evidence, Lauren relentlessly pushes for action, considers vigilantism and nears collapse because of guilt over her emotional neglect of younger daughter, Leah, now the same age as Leslie when kidnapped. With a shady private investigator named Gregory Hewitt as catalyst, the narrative ramps up to a gut-wrenching and violent conclusion, albeit one that leaves a minor plot point adrift. Hoag has an eye for a writerly turn of phrase—“another verse in a poem of futility”—which makes it all the more disconcerting to stumble upon a cliché or to find the author posing an analogy that compares both the bad guy's and the hero's gaze to that of a shark.
A mesmerizing psychological drama on loss, guilt, frustration and implacable, unexplainable evil.Pub Date: Dec. 27, 2011
ISBN: 978-0-525-95239-8
Page Count: 416
Publisher: Dutton
Review Posted Online: Nov. 20, 2011
Kirkus Reviews Issue: Dec. 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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