by Tami Lewis Brown ; illustrated by Tania de Regil ‧ RELEASE DATE: Sept. 3, 2019
One-sidedness sinks this well-meaning tale.
A tale of empathy and inclusion.
A white child and a brown-skinned child, both nameless and with button eyes and simply drawn facial features, cross paths in a peaceful city park. Initially, the white child emphatically claims ownership in bold phrases familiar to young ears: “My ball belongs to me,” and “You can’t have my mom.” In a turnkey double-page spread, a park scene on the left shows green grass, a gentle tree trunk, and the white child’s family on a picnic blanket, while across the gutter is vast negative space as the white child notices the brown-skinned child, alone, on the ground end of a seesaw. The negative space creates the pause. “Wait.” What unfolds is a series of broad questions about fear of loneliness and loss. The brown-skinned child plays and shares with the formerly possessive white child but never says a word. It is assumed the brown-skinned child does not have a family, and while the white family welcomes the lonely child, why that child is alone in the park is never resolved. While a lot can be said for unspoken understanding, the brown-skinned child’s voicelessness makes all the interactions feel one-sided and assumptive. A “we” narrative about caring unfurls, stretching to include families, nature, and animals across the world. While micro-interactions are inevitably connected to global networks of caring, the leap from sharing toys to global togetherness is preachy and contrived.
One-sidedness sinks this well-meaning tale. (Picture book. 4-7)Pub Date: Sept. 3, 2019
ISBN: 978-1-9848-3630-4
Page Count: 32
Publisher: Philomel
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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