by Tamim Ansary ‧ RELEASE DATE: Oct. 1, 2019
A well-written and valuable take on the diverse narratives that have shaped human history.
World history as “a story that we’re telling one another.”
In this intriguing account of humankind from the Stone Age to the present, Ansary (Road Trips: Becoming an American in the Vapor Trail of the Sixties, 2019, etc.) writes, “we live on the same planet but in many different worlds.” In 800 C.E., for instance, the Chinese thought their world was the world; other civilizations also believed they lived at the center of their own world model. The author argues that we invent the tribes and other social constellations—the culture—of our own world through narratives based on geographical differences. Viewing the past through this lens, he sees global history as a melding of many master narratives—a “drama of ever-increasing interconnectedness.” Trade, warfare, and other interactions caused separate worlds to overlap. “Neighbors influenced neighbors who influenced neighbors,” writes Ansary. When Rome conquered the Fertile Crescent, diverse belief systems became part of the Roman state. Jews, for example, encountered the secular-pagan ideas of the Greco-Roman world in their daily lives. The Crusades brought hundreds of ideas and innovations into Europe, from gunpowder to mechanical clocks. Pivotal moments triggered interconnections among major cultures, with great ripple effects: Columbus’ discovery of America sparked the rise of corporations and banks in Europe and drew the entire world into “one great global drama.” The advent of machines in the 18th and 19th centuries changed the division of labor between men and women. The invention of the transistor in 1947 heralded the digital age. As an Afghan American, the San Francisco–based author draws nicely on his experiences of life in the different worlds of Islam and the secular West to help readers understand the outcomes of overlapping narratives. He examines the role of interconnections in the development of everything from board games to belief systems, science, and multinational corporations.
A well-written and valuable take on the diverse narratives that have shaped human history.Pub Date: Oct. 1, 2019
ISBN: 978-1-61039-796-4
Page Count: 448
Publisher: PublicAffairs
Review Posted Online: July 16, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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