A campfire story about a girl whose brother is a bear becomes a warmly enchanting novel.
Well-wrought touches of the fantastic enhance this tale of a girl growing up in a Canadian logging camp a century ago.
About the time that Pearly Everlasting Hazen—named for a wildflower—is born in a remote logging camp in New Brunswick in 1920, her father, the camp cook, finds a tiny, orphaned bear cub in an ice-rimmed burrow. He brings the creature home, and his wife nurses her infant daughter and the cub together. As far as Pearly Everlasting and her family are concerned, Bruno is her brother, even as he grows big enough to unsettle strangers. The logging camps where the Hazens live are harsh places; if the work doesn’t kill someone, the weather might. Pearly Everlasting’s mother, Eula, is a healer who tends workers’ broken bones and other wounds, while her husband, Edon, keeps everyone fed. Pearly Everlasting and Bruno—and human older sister Ivy—grow up in this nurturing nest, attuned to the natural world and pretty much blissfully unaware of what’s beyond. Their only outside contact is a woman they call Song-catcher, an ethnologist who, with her companion, Ebony, travels around with cumbersome recording equipment to document folk music and tales by people like Eula. The eventual snake in this childhood paradise is a new camp boss, a bully named Swicker, who arrives with a couple of minions and soon has Bruno in his sights. An attempt to bear-nap Bruno and sell him to an animal trader is foiled with the help of Song-catcher and Ebony, but later girl and bear, teenagers by now, stumble upon a murdered body, and Bruno is blamed and confiscated. Pearly Everlasting’s harrowing quest to get him back, on foot through the winter woods and then in a town that’s a complete mystery to her, is paralleled by the search for the pair by a young man named Ansell, a worker at the camp whose face is strangely webbed with silver scars, the result of a lightning strike. Armstrong, who has published five books of poetry and two previous novels, tells their tale in lyrically striking prose and makes its fairy tale elements work by grounding them in the grim realities and stunning beauties of life in a Depression-era logging camp.
A campfire story about a girl whose brother is a bear becomes a warmly enchanting novel.Pub Date: Oct. 8, 2024
ISBN: 9780063396142
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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