by Tammy Duckworth ‧ RELEASE DATE: March 30, 2021
An inspiring example of the power of determination.
Heartfelt memoir from the senator and Iraq War veteran.
Duckworth was born in Thailand in 1968, the biracial daughter of an enlisted American-born father and Thai-Chinese mother. As a child, she struggled with feeling “self-conscious about being different.” Her family also relocated frequently, which contributed to feelings of uncertainty about her future. In 1984, they moved to Hawaii. Due to her family’s financial situation, Duckworth held down numerous jobs while finishing high school. Although her life was stressful, she never gave up and was accepted to the University of Hawaii, where she got a bachelor’s degree in political science. “With all the moving around we’d done,” she writes, “and seeing up close the work my dad did with United Nations programs, I had developed a fascination with international affairs.” After earning her master’s degree in international affairs from George Washington University, she joined the Army ROTC and “fell for the Army like no one ever fell for the Army before.” Though she began a doctorate program, she interrupted her studies to serve (she later completed her Ph.D.). Defying the odds, she became one of the few female pilots to fly a Black Hawk helicopter. In 2004, while on a mission in Iraq, her “world exploded” when a rocket-propelled grenade hit her helicopter and “detonated in a violent fireball right in my lap.” She lost both legs and severely injured her right arm. During her long recovery, she met Sen. Dick Durbin and shared her thoughts about the desperate changes needed for women in the military, veterans, and their families. Durbin encouraged Duckworth to run for Congress. Feeling “a responsibility to be a voice for…young warriors,” she became an advocate for veterans and held numerous public offices before becoming a senator in 2016. Despite the scars of discrimination, poverty, and war, her commitment to the service of others has never wavered, and her moving story demonstrates that “healing is always possible, and that the low moments can lead to the greatest heights.”
An inspiring example of the power of determination.Pub Date: March 30, 2021
ISBN: 978-1-5387-1850-6
Page Count: 320
Publisher: Twelve
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Ron Chernow ‧ RELEASE DATE: May 13, 2025
Essential reading for any Twain buff and student of American literature.
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New York Times Bestseller
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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