Pierce (Magic Steps, 2000, etc.) continues to individually develop her quartet of adolescent mages. Former street rat Briar Moss, now 14 and a fully certified Mage, visits the distant city of Chammur with his mentor Rosethorn, in order to use their plant magic to replenish its depleted soil. While sightseeing, Briar discovers the homeless waif Evvy leaking stone magic. Reluctantly tutoring her in the control of her incipient powers, he becomes embroiled in a gang war, as the Vipers, prodded by a bored noblewoman, seek to profit by Evvy's talents. While retaining his most appealing traits—his affectionate bond with plant life, his jaundiced skepticism towards authority, and the prickly sarcasm disguising his deep love for his teacher and foster sisters—Briar also matures through the rewards and frustrations of teaching; and the threat to his protégé forces him to confront his romanticized ambivalence toward his own childhood gang. Strong-willed Evvy is a delightful addition to Pierce's mostly female cast, and the villainous Lady Zenadia oozes serpentine menace. Most fascinating is rose-red Chammur itself, with its timeworn stones, bustling bazaars, dusty rooftop roads, and cool, shaded palaces. Ancient, arid, elegant, sinister, sophisticated, weary, and cruel, Chammur drips with an exotic atmosphere clearly inspired by (if uncomfortably close to stereotyping) classical Arab culture. A must for Pierce's many fans, and a solid choice for those interested in a different take on gangs, faraway lands, or just good imaginative fantasy. (Fiction. 9-14)
Pub Date: April 1, 2001
ISBN: 0-590-39628-5
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2001
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Lowry returns to the metaphorical future world of her Newbery-winning The Giver (1993) to explore the notion of foul reality disguised as fair. Born with a twisted leg, Kira faces a bleak future after her mother dies suddenly, leaving her without protection. Despite her gift for weaving and embroidery, the village women, led by cruel, scarred Vandara, will certainly drive the lame child into the forest, where the “beasts” killed her father, or so she’s been told. Instead, the Council of Guardians intervenes. In Kira’s village, the ambient sounds of voices raised in anger and children being slapped away as nuisances quiets once a year when the Singer, with his intricately carved staff and elaborately embroidered robe, recites the tale of humanity’s multiple rises and falls. The Guardians ask Kira to repair worn historical scenes on the Singer’s robe and promise her the panels that have been left undecorated. Comfortably housed with two other young orphans—Thomas, a brilliant wood-carver working on the Singer’s staff, and tiny Jo, who sings with an angel’s voice—Kira gradually realizes that their apparent freedom is illusory, that their creative gifts are being harnessed to the Guardians’ agenda. And she begins to wonder about the deaths of her parents and those of her companions—especially after the seemingly hale old woman who is teaching her to dye expires the day after telling her there really are no beasts in the woods. The true nature of her society becomes horribly clear when the Singer appears for his annual performance with chained, bloody ankles, followed by Kira’s long-lost father, who, it turns out, was blinded and left for dead by a Guardian. Next to the vividly rendered supporting cast, the gentle, kindhearted Kira seems rather colorless, though by electing at the end to pit her artistic gift against the status quo instead of fleeing, she does display some inner stuff. Readers will find plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint (stay sharp, or you’ll miss it) about the previous book’s famously ambiguous ending. A top writer, in top form. (author’s note) (Fiction. 11-13)
Pub Date: Sept. 1, 2000
ISBN: 0-618-05581-9
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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