A blistering debut from a promising new talent.
A darkly complex relationship between two sisters lies at the heart of Jones’ debut psychological thriller.
Leslie Flores has a problem. For the past seven years, she's taken care of her father as he wasted away from thyroid cancer in New Mexico. Now that he’s died, Leslie must sort out his estate by herself since her younger sister, Robin, fled the family home a decade ago, when she was 16, checking in only when she needed money—which her father, to Leslie's frustration, would send her. But it turns out that their father split the $100,000 he left behind between Leslie and Robin, saying they would have to appear together at his lawyer's office in Albuquerque to collect it. Leslie needs that money and is determined to get it at any cost, and she manages to track Robin down. Her plan to bring her sister home hits a snag, though, when she finds Robin’s body in her squalid rented room in Las Vegas. Instead of calling the authorities, Leslie leaves the scene. A possible solution to Leslie’s new problem arrives in the form of waitress/aspiring actress Mary, whom Leslie meets outside a Vegas restaurant. They strike up a conversation, which eventually leads to a proposition. Mary looks a bit like Robin, so Leslie asks her to put her acting skills to good use and pose as Robin to help her collect the inheritance, offering Mary half the money for her trouble. One dye job later and Mary, posing as Robin, accompanies Leslie to Albuquerque to meet her husband, Dave, and their little boy, Eli. Leslie’s scheme should go off without a hitch, but she didn’t count on the dangerously magnetic and quietly cunning Mary using her new persona to dig into Robin’s life (and then some), Leslie’s marriage…and her secrets. Readers also get a disturbing look at the sisters’ strange bond and the circumstances surrounding their mother’s death. Of particular note is Jones’ depiction of how Leslie’s relationship with her troubled mother indelibly influenced how she relates to Eli. A nicely noir, if not completely surprising, couple of twists round out this feverish thriller.
A blistering debut from a promising new talent.Pub Date: Jan. 14, 2020
ISBN: 978-1-984821-22-5
Page Count: 320
Publisher: Ballantine
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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