A smart, sharp tale, as well crafted as the object at its center.
An expert Indian woodworker gets a front-row seat to 18th- and 19th-century imperialism.
Abbas, the hero of James’ lively and symbolically rich third novel, is a poor 17-year-old artisan in Mysore in 1794 when he’s recruited by Tipu Sultan, the local ruler, to apprentice with Lucien Du Leze, a French clockmaker. Together they are charged with making an automaton of a tiger attacking a British soldier. The experience hones his carving skills, but just as importantly it introduces him to an intercontinental power play: Tipu, aka the Tiger of Mysore, is attempting to fend off an incursion by the British East India Company by appealing for French support by any means necessary, including the automaton. But with France roiled in the aftermath of its own revolution, Mysore falls in 1799, prompting Abbas to escape to France, where he connects with Lucien’s daughter, Jehanne. Together, they plot to recover the automaton, which is in the hands of Lady Selwyn, widow of a British soldier who served in India. From Abbas’ first meeting with Lucien to his and Jehanne’s negotiations with Selwyn, James trains her descriptions on the ways Indians are displaced and diminished by imperialists and the ways they have to contort themselves to adjust to society. (Selwyn’s high-mannered butler, an Indian man named Rum, exemplifies the psychic costs of force-feeding oneself another culture’s protocols.) But though the intensity of James’ critique is clear, her prose is fleet and rich in ironic humor. “I am here because you were there,” Rum thinks, encapsulating the perverse logic and cruelty of his circumstance. The automaton of the novel actually exists, James explains in a note; her novel, as the title hints, is an engaging reminder that today’s museum pieces are often functions of forgotten exploitation and theft.
A smart, sharp tale, as well crafted as the object at its center.Pub Date: June 13, 2023
ISBN: 9780593535974
Page Count: 304
Publisher: Knopf
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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