Loose ends are tied up with almost painful tidiness in Lee’s (Wolf Star, 2001, etc.) third entry in the series. After commandeering the Star to return her to the nomadic Hulta and their leader, her beloved Argul, Claidi is crushed by the tribe’s rejection, blaming her for the brokenhearted Argul’s abdication. Determined to set things right, Claidi tracks Argul to the frozen north, pursued in turn by the sinister Jelly, an apparent agent of Wolf Tower. But Argul, when found, spurns Claidi coldly, and beats Jelly senseless; Claidi and Jelly are carried off by the Lady Winter Raven to the icy fastness of Raven Tower, Wolf Tower’s rival. There, Claidi receives a royal welcome—and finally faces the mother who abandoned her. Yet nobody in this convoluted plot turns out to be who they seem, and it takes all of Claidi’s irrepressible independence to sort through the layers of subterfuge and claim her own destiny. Although most of the wonder here comes from Lee’s mysteriously evocative settings, Claidi remains a feisty, irreverent heroine, and her diary charms with its cheeky tone. But while racing through the episodic plot, Lee barely sketches in the remaining characters, and her efforts to wrap up the dangling threads of Claidi’s melodramatic adventures render this volume incomprehensible to new readers. Even with the clumsy chunks of exposition plopped at the end, the nature of Claidi’s world is still muddled, and her future unclear. Still, this lightweight confection provides some essential closure. (Fiction. 11-13)
Pub Date: May 1, 2001
ISBN: 0-525-46895-1
Page Count: 240
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
Lowry returns to the metaphorical future world of her Newbery-winning The Giver (1993) to explore the notion of foul reality disguised as fair. Born with a twisted leg, Kira faces a bleak future after her mother dies suddenly, leaving her without protection. Despite her gift for weaving and embroidery, the village women, led by cruel, scarred Vandara, will certainly drive the lame child into the forest, where the “beasts” killed her father, or so she’s been told. Instead, the Council of Guardians intervenes. In Kira’s village, the ambient sounds of voices raised in anger and children being slapped away as nuisances quiets once a year when the Singer, with his intricately carved staff and elaborately embroidered robe, recites the tale of humanity’s multiple rises and falls. The Guardians ask Kira to repair worn historical scenes on the Singer’s robe and promise her the panels that have been left undecorated. Comfortably housed with two other young orphans—Thomas, a brilliant wood-carver working on the Singer’s staff, and tiny Jo, who sings with an angel’s voice—Kira gradually realizes that their apparent freedom is illusory, that their creative gifts are being harnessed to the Guardians’ agenda. And she begins to wonder about the deaths of her parents and those of her companions—especially after the seemingly hale old woman who is teaching her to dye expires the day after telling her there really are no beasts in the woods. The true nature of her society becomes horribly clear when the Singer appears for his annual performance with chained, bloody ankles, followed by Kira’s long-lost father, who, it turns out, was blinded and left for dead by a Guardian. Next to the vividly rendered supporting cast, the gentle, kindhearted Kira seems rather colorless, though by electing at the end to pit her artistic gift against the status quo instead of fleeing, she does display some inner stuff. Readers will find plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint (stay sharp, or you’ll miss it) about the previous book’s famously ambiguous ending. A top writer, in top form. (author’s note) (Fiction. 11-13)
Pub Date: Sept. 1, 2000
ISBN: 0-618-05581-9
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
