In this fascinating but frustrating sequel to Wolf Tower (2000), Lee continues her heroine’s imaginary journal. Claidi is blissfully preparing for her wedding to the tribal chieftain Argul when she is kidnapped by agents of the Towers, whose Law she destroyed in the previous story. She is taken to the Rise, a clifflike palace powered by a stupendous waterfall, where creatures evolve oddly, and rooms wander about inexplicably under the baneful Wolf Star. Despite her fury at her abduction and her longing for Argul, Claidi is intrigued by the Rise’s eccentric wonders, and drawn to its peculiar inhabitants—the surly prince Venn and his strange servants—only to discover that Venn’s peculiarities are linked to both Argul and her own shrouded past. Lee pieces together an intricate, disturbingly different, world, and Claidi remains an engaging character, delightfully down-to-earth among marvels. But Venn, despite his deep wounds, seems remarkably unsympathetic, and the remaining characters are little more than ciphers. While the narrative deepens and extends the themes of iconoclasm and self-reliance from Wolf Tower, it suffers the typical flaws of a series novel: too much action without anything really happening, and minor questions resolved while, through a preposterous deus ex machina, major mysteries are left hanging. Although helpful artifacts keep popping up at convenient plot points, the underlying nature of science/magic remains muddled. As part of the series, this is essential; but as a standalone, it’s likely to leave readers as much puzzled as enchanted. (Fiction. 11+)
Pub Date: June 1, 2001
ISBN: 0-525-46673-8
Page Count: 240
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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