An earnest if opaque journey into a country’s troubled past.
A melancholy tribute to an early champion of Ukrainian independence.
This novel by veteran author Maljartschuk alternates between the first-person narration of a present-day Ukrainian scholar and third-person history about Viacheslav Lypynskyi (1882-1931), a forceful advocate for Ukrainian statehood. It was a difficult case to make, with Russia claiming the region for itself and many Poles arguing that Ukrainians weren’t ethnically distinct. But Lypynskyi, along with a handful of fellow writers and coffee-house revolutionaries, spearheaded a passionate defense of Ukrainian identity—he wrote the first Ukrainian almanac—even if few rushed to join in. (“The Ukrainian community is a flock of naïve sheep ruled by wolves,” one man observes.) Meanwhile, the narrator develops a passion for Ukrainian literature and becomes a writer herself, discovering Lypynskyi’s story when she uncovers his obituary in an old newspaper. Maljartschuk parallels the woman’s illnesses and failed romances with Lypynskyi’s own poor health, unhappy marriage, and exile in Vienna. “The world had ceased to be a place where one could be sure of oneself,” she observes for both of them. Maljartschuk’s story is of course relevant in 2023, and she is expert at merging history and metaphor (whales and mythical figures are woven into the story); the fragmentary approach echoes Olga Tokarczuk’s sober fictions of eastern Europe. But the story is often sluggish, relating the two protagonists’ experiences in a sometimes stiff translation. Lypynskyi was a complicated figure, a stubborn monarchist who alienated his colleagues and was prone to pomposity. (“Not a single voice stood in my defense when the froth that now grows into moss on the wreckage and spreads befell me.”) That makes him hard to get a fix on. Maljartschuk has chronicled the ferment of the independence movement and its legacy, but the storytelling’s digressiveness and mood sap its force.
An earnest if opaque journey into a country’s troubled past.Pub Date: Jan. 23, 2024
ISBN: 9781324093220
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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