by Tannis Mary Fisher ; illustrated by Roz MacLean ‧ RELEASE DATE: Oct. 6, 2022
Three fantastical tales with vivid images but uneven execution.
Debut author Fisher offers a trio of whimsical illustrated tales for children.
In “The Star Who Lost His Twinkle” the titular luminary has lost his shine and can’t get it back despite his friends’ and family’s best efforts. The star goes off by himself to find Polaris and a being called the Twinkle Man in hopes of regaining his twinkle. “The Butterfly Who Wanted To Hit a Home Run” features protagonist Wheatley Summerfield, freshly hatched from her cocoon, who’s struck with the burning desire to play baseball after witnessing a game. Other bugs protest that “BUTTERFLIES DO NOT PLAY BASEBALL!” Disheartened at first, Wheatley soon finds allies, and they plan to introduce baseball to the other insects. “The Tea Maker” follows a star named El who stumbles upon a fairy named Sprang and is invited to a tea party. At the party, El feels comfortable enough to disclose how alone she’s felt living with different foster stars. She’s invited to live with the fairies in the star-filled heavens and eventually meets a deity of sorts known as Tea Maker, among other names. This story’s spiritual message is different from the previous two, which focus more effectively on themes of inner strength. MacLean’s painterly, full-color illustrations are lovely, with a cheerful style and well-balanced color palettes that bring the text to life. However, the first and last tale prominently feature star imagery, while the story about insects employs a different illustration style that doesn’t mesh well. In addition, all the stories are text heavy; a stronger edit might have avoided the use of daunting paragraphs.
Three fantastical tales with vivid images but uneven execution.Pub Date: Oct. 6, 2022
ISBN: 9781039112674
Page Count: 60
Publisher: FriesenPress
Review Posted Online: Dec. 21, 2022
Review Program: Kirkus Indie
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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