A vital tool for sufferers and their families that broadens understanding of a debilitating illness.
In Peterson’s (Leave of Absence, 2013, etc.) insightful third novel, a man suffering from various anxiety disorders finds hope after forming an unexpected bond with a troubled foster child.
Brian Cunningham, 43, is the night custodian and information technology specialist at Hayden Elementary School. A sufferer of acute panic attacks, he lives his life trapped in a nutshell, a self-imposed safety zone, beyond which exist his darkest fears. His profession allows him to minimize his contact with others and thus manage, or at least tolerate, his debilitating disorder. As the novel opens, the author quickly and deftly charts the anatomy of a panic attack, a phenomenon many nonsufferers might ordinarily find inscrutable. Brian’s mind races as his inner narrative alerts him to perceived external threats that pose no real danger. His breath quickens, his chest tightens, and he suspects his heart is failing—little wonder, then, that he chooses to shut himself away from any potential trigger. Enter Abigail Harris, a hostile 7-year-old suffering from attachment issues and disorders relating to abuse and frequent moves among foster homes. It is Abigail’s first day at school, and hating every moment of it, she decides to go AWOL. Brian discovers the small girl taking refuge in a classroom, and overcoming the paralysis he normally experiences when unexpectedly encountering another person, he begins to communicate with her. The two are surprised to find that they share a mutual understanding. The novel charts the evolution of their platonic relationship as they draw positivity and solace from their experiences. The friends begin to see a possibility for change, although numerous obstacles block their path. As in her previous novels, Peterson demonstrates a tender, notably human understanding of mental illness. In her latest effort, she plays to her strengths, jettisoning an occasionally soapy style in favor of constructing complex psychological portraits and realistic plotlines. In doing so, she accurately captures the crushing sensations of anxiety disorder while simultaneously offering rays of hope.
A vital tool for sufferers and their families that broadens understanding of a debilitating illness.Pub Date: N/A
ISBN: 978-1-62901-072-4
Page Count: 381
Publisher: Inkwater Press
Review Posted Online: May 9, 2014
Kirkus Reviews Issue: June 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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