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SPLIT TOOTH

A raw, powerful voice breathes fresh air into traditional Inuit folklore to create a modern tale of mythological proportions.

This debut from acclaimed Inuit throat singer Tagaq (her album “Animism” won the 2014 Polaris Music Prize) is a shamanic coming-of-age journey through a haunted and mystical Arctic landscape.

In 1975, a fierce and tomboyish 11-year-old Inuit girl growing up in the northern Canadian territory of Nunavut discovers her shamanic powers at the onset of puberty. Wielding words as sharp as shale rocks and ice, Tagaq narrates the story from the unnamed girl’s perspective with poems woven in between prose vignettes. In “The First Time it Happened,” the girl describes the experience of falling into a trance, being attacked by a supernatural being, and the sensation of her “spirit self” leaving her body. Despite the threat of possession, she says, “I am not afraid, only curious. I don’t feel like prey. I too am a predator.” This empowering initiatory experience is the catalyst for a series of bizarre and delicious excursions into the spirit world which occur throughout her teen years. Her astral flights are a reclaiming of her spiritual heritage and the “shaman’s way” as well as a means of escape from the drunks at home, school bullies, and the roving hands of her teacher. Her animistic view of the universe helps her cope with these everyday problems in terms of spiritual warfare. Sometimes the narrator’s voice shifts to philosophical musings and words of wisdom that may seem far beyond the years of a teenager. When speaking of the rampant alcoholism in her family, she says, “There are evil beings in the room near the ceiling waiting to take over the drunken bodies, Grudges and Frustrations slobbering at the chance to return to human form, to violate, to kill, to fornicate.” Finding solace in nature, she sings to the sky, and it is beneath the eerie green glow of the northern lights that she conceives with a mysterious celestial lover and is irrevocably transformed.

A raw, powerful voice breathes fresh air into traditional Inuit folklore to create a modern tale of mythological proportions.

Pub Date: Sept. 25, 2018

ISBN: 978-0-670-07009-1

Page Count: 208

Publisher: Viking

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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