Lin (Richard Yates, 2010, etc.) focuses on the lives of post-post-modern Gen Y artists in his third novel.
No action-adventure herein. Think internal dialogue. Think angst-filled, uber-jaundiced existentialism. A hundred pages in, protagonist Paul is still prowling Brooklyn parties and bars. He's made a quick trip home to Taiwan, but little happened there either. Back in the borough, Paul has moved from one maybe-a-girlfriend to another, met dealer friends who trade in recreational pharmaceuticals—Xanax, Adderall, cocaine, 'shrooms and MDMA—and ruminated a bit about his novel, soon to be released. The narrative drones along with flat affect, thoroughly reportorial in style, right down to the quirky introductions of characters with a newspaper-style name/age format: "When Paul woke, the next afternoon, Laura, 28, had already friended and messaged him on Facebook." And so it goes, artistic Weltschmerz profundity. Paul is intelligent; his IQ is "either 139 or 154." He invites friends to watch Trash Humpers, uses a MacBook and iPhone, and his life is rendered with a fondness for commas. "When Gabby finally looked at him, seeming more confused than agitated, Paul sarcastically sustained a huge grin, which Gabby stared at blankly while appearing to be thinking, very slowly, due to alcohol, about what, if anything, she should do about what was happening." There begins a book tour (mind-altering drugs fueling readings), perhaps best characterized as a geographical relocation of the same hipster existentialist remove from all but what happens between Paul’s ears, the exception being his companion, Erin, a young Baltimore woman he meets via the Internet, whom he marries in a nothing-better-to-do Las Vegas decision. Post-Taipei honeymoon, with Erin bouncing between Baltimore and Brooklyn, the marriage seems off-again, on-again, spiced by avant-garde MacBook-filmed self-documentaries and drug-addled conversations and text messaging both childish and surreal. Very much au courant, a meditation on "the nonexistent somethingness that was currently life."
Pub Date: June 4, 2013
ISBN: 978-0-307-95017-8
Page Count: 272
Publisher: Vintage
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
